https://www.jfwphoto.com/landscapetest daily 0.75 2015-11-04 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1440091459013-E4SYE0TOQ08GGJGZW8LN/landscape-2.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645125503-KC022ZA378JZ889XLW97/CadesCove-1.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645125503-KC022ZA378JZ889XLW97/CadesCove-1.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1440091455269-9HE4JRHR1S2N9DS8CV2D/landscape-1.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645325193-7YV1X3N9GJG41P7E2O3P/GreatSmokies-2.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645133520-1NRO4MIKU9T7U9WTAJZR/CadesCove-2.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645905007-OB9QVVZLE13UDKKDIQ6Q/CadesCove-10.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645212154-TMMWMP1870ENUP8YUE97/CadesCove-5.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645228656-UQ5HECBVBAINCIN6156O/GreatSmokies-4.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645326269-XEPIZPEC3KWIS372IPGW/GreatSmokies-3.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645341149-3XY449F1HE3F8YBYIW7R/GreatSmokies-7.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645466862-WO6NISMKHHMYEUVSJIRA/gsmps-3.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645461201-Y23631OTB2HNIJQFSZF1/gsmps-1.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645441061-QZH8MJL5ZSIU4256IRQ5/gsmps-2.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645493236-1KXNIM1FM0VT6REY6M13/CadesCove-2.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645500298-UWERW85MF08LUXRNBA5X/CadesCove-5.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645485634-TNXCPIV53B7WHC9SKAGI/CadesCove-7.jpg Great Smoky Mountains https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446645465822-3J7WWTBY7GY1FH3R84DG/ClingmansDome-1.jpg Great Smoky Mountains https://www.jfwphoto.com/blog daily 0.75 2020-01-21 https://www.jfwphoto.com/blog/2020/1/21/regrets-ive-had-a-few-photographically-speaking monthly 0.5 2021-10-21 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1579618890638-M3VH2AI0Z095N7CVV2C6/Joe_Rosenthal+Color.jpg BLOG - REGRETS, I'VE HAD A FEW - PHOTOGRAPHICALLY SPEAKING Nikon FM2, 24mm lens, Fujifilm 1600 film. https://www.jfwphoto.com/blog/2019/6/28/14-years-of-photographing-science-and-technology monthly 0.5 2020-04-16 https://www.jfwphoto.com/blog/2019/1/14/cold-and-snow-and-photography monthly 0.5 2019-01-18 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1547508144397-RK10PJFVBZTRUYCAMNAG/Washington_Snow-1.jpg BLOG - NO EXCUSES, PHOTOGRAPHING D.C. DURING A SNOWSTORM The movement caught my eye, then when I realized what was happening I knew I had my first real photo of the day. For me, the yellow snow shovel makes this image. Fujifilm X-Pro2, 50mm, 1/1500 @ f4, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1547511234525-U3IV9N90R6CLKHDXYD8J/Washington_Snow-2.jpg BLOG - NO EXCUSES, PHOTOGRAPHING D.C. DURING A SNOWSTORM As the snow began to pick up in strength, I headed to the National Mall and found two people building a snowman. I like the simplicity of this shot, almost as if they are alone in America’s backyard. Fujifilm X-Pro2, 18mm, 1/2500 @ f5.6, ISO 100. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1547510962821-9L0IR11SSADAQPBS2MOO/Washington_Snow-3.jpg BLOG - NO EXCUSES, PHOTOGRAPHING D.C. DURING A SNOWSTORM Before I left the house in the morning, I heard about a planned one p.m. snowball fight that would take place at the Washington Monument. That was the only plan I had for the day. Fujifilm X-Pro2, 18mm, 1/5800 @ f2.8, ISO 400. https://www.jfwphoto.com/blog/2018/11/27/a-case-for-the-fujifilm-instax-printer monthly 0.5 2019-01-18 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1543344930232-D73WVUA932M5FD4Z1KAF/SP2+GG.jpg BLOG - A CASE FOR THE FUJIFILM INSTAX PRINTER https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1543347268913-445AP13M1B1BUJMBP9LP/SP2+fuji.jpg BLOG - A CASE FOR THE FUJIFILM INSTAX PRINTER When I was in New York City for the Photo Plus Expo the first place I visited was the Fujifilm Wonder Photo Shop located at 176 Fifth Ave., right across from the Flatiron Building. If you want to explore the entire Instax lineup in one place, this is it. https://www.jfwphoto.com/blog/2018/11/20/in-search-of-landscape-photography-in-florida monthly 0.5 2019-01-18 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1542810685945-33BRPRHTHGBEHW8AJDJK/Clyde+Butcher+and+me.jpg BLOG - IN SEARCH OF LANDSCAPE PHOTOGRAPHY INSPIRATION IN FLORIDA Clyde Butcher and me at his Venice, Fla., gallery, studio and darkroom. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1542895663886-YQHMW5CHBS89ICY3DJGG/Clyde+gallery-1.jpg BLOG - IN SEARCH OF LANDSCAPE PHOTOGRAPHY INSPIRATION IN FLORIDA Clyde’s Venice Gallery and Studio is open Tuesday - Friday, 10 am to 4:30 pm . His black and white photography of the Florida landscape is inspiring me to get out and explore my new home state. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1542895452542-S07AQ5E2PU2HSIPL4XSW/Clyde+camera-1.jpg BLOG - IN SEARCH OF LANDSCAPE PHOTOGRAPHY INSPIRATION IN FLORIDA A 12x20 Ron Wisner Field Camera in Clyde’s studio. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1542895587304-6Y7FF0VS7OX4YMWHM5S7/Clyde+enlarger-1.jpg BLOG - IN SEARCH OF LANDSCAPE PHOTOGRAPHY INSPIRATION IN FLORIDA This huge rail camera turned enlarger, is just one of a unique collection of enlargers that occupy Clyde’s darkroom. https://www.jfwphoto.com/blog/2018/10/14/an-original-polaroid-sx-70-reborn monthly 0.5 2018-11-27 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1539568127041-5VWTCC7JCT045UU4WGNE/SX-70-2.jpg BLOG - AN ORIGINAL POLAROID SX-70 REBORN https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1539616070926-M1U3B2Y8OI6ES9ZVB9F8/SX-70-1.jpg BLOG - AN ORIGINAL POLAROID SX-70 REBORN Just some of the 30-year-old film packs that were stored with the camera. No surprise this film did not work. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1539610515413-5US9UH6RAFYOU5DFWYIB/SX-70-3.jpg BLOG - AN ORIGINAL POLAROID SX-70 REBORN I used a 6v battery pack, some metal snipped from a piece of flashing, electrical tape, solder, and an empty film pack to build a Polaroid camera tester. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1539610559705-PH6HRCFFOO7E3QPN8EP8/SX-70-4.jpg BLOG - AN ORIGINAL POLAROID SX-70 REBORN This is the first photo taken with my grandparent’s SX-70 in over 35 years. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1539616006730-BJLLUL5QBQX5MP2KWG8J/SX-70-5.jpg BLOG - AN ORIGINAL POLAROID SX-70 REBORN #Nofilter or post production needed to obtain the “Polaroid” look. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1539625566567-MDWMXSO39IEZOFV0OTMG/SX-70-7.jpg BLOG - AN ORIGINAL POLAROID SX-70 REBORN https://www.jfwphoto.com/blog/2018/9/11/brief-encounter-with-the-nikon-z7 monthly 0.5 2018-09-13 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1536689755236-76IY97DFTWSB3G3OFIB1/NikonZ7.jpg BLOG - A BRIEF ENCOUNTER WITH THE NIKON Z7 MIRRORLESS CAMERA The Nikon Z7 with new 24-70mm f4.0 at District Camera launch event in Washington, D.C. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1536691940586-FW9CMV25JNL0LNJOZ3LP/Nikon+Z7+display.jpg BLOG - A BRIEF ENCOUNTER WITH THE NIKON Z7 MIRRORLESS CAMERA I was not able to use my own XQD card or take any images with me to process, so I used my phone to photograph the display, left, and then I double-tapped the screen to zoom in. https://www.jfwphoto.com/blog/2018/7/3/fuji-lens-dilemma-or-problem-or monthly 0.5 2018-07-20 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1530626866521-XWL23U3GMWNPCKT0RNOR/fujinon+lens+lineup+%281+of+1%29.jpg BLOG - FUJINON LENS DILEMMA, OR PROBLEM, OR... From left: The Fujinon 16mm, f1.4; 50mm, f2.0; 35mm, f2.0; 23mm, f2.0; and 18mm, f2.0. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1530629203388-7U7GP8607DQ8TYFE0A8U/Fujicron+lineup.jpg BLOG - FUJINON LENS DILEMMA, OR PROBLEM, OR... The Fujifilm 50mm, 35mm and 23mm lenses are all f2.0 and are sometimes referred to as Fujicrons, a nod to Leica's Summicron lenses which also have an f2.0 aperture. I've also referred these three lenses as the trifecta. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1532110510936-T513DRH6V67F1SXIGYDP/table+and+Chairs-1.jpg BLOG - FUJINON LENS DILEMMA, OR PROBLEM, OR... Table and Chairs, Memphis, Tenn., 2018. Fujifilm X-Pro 2 with Fujinon 18mm lens, 1/125 @ f5.6, ISO 200. https://www.jfwphoto.com/blog/2018/5/5/not-a-laughing-matter-photographing-remote-locations monthly 0.5 2018-05-06 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1525533884964-L3Z6R6SGN1KBEBRF3P7N/snow+1.jpg BLOG - NOT A LAUGHING MATTER - PHOTOGRAPHING REMOTE LOCATIONS If I was going to be stuck in a snowbank, it might as well have been with this view. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1525551283127-WOB8LES5U6YR8IEHCUDA/compliation.jpg BLOG - NOT A LAUGHING MATTER - PHOTOGRAPHING REMOTE LOCATIONS I was laughing at the absurdity of being stuck in a snow bank only three feet from the road and ten feet from my car. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1525551383302-6NKL1A9VTTTLQV9ATXUZ/2018-04-28+09.55.28.jpg BLOG - NOT A LAUGHING MATTER - PHOTOGRAPHING REMOTE LOCATIONS To be safe and satisfy friends and loved ones, I visited urgent care Saturday morning for an x-ray on my lower leg. Results showed no break. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1525551955501-S2FE9TRV1CLNIN3O0CHG/Hoodoo.jpg BLOG - NOT A LAUGHING MATTER - PHOTOGRAPHING REMOTE LOCATIONS The only positive thing about not being able to return to Denali over the weekend was that it gave me more time to visit some of the outstanding breweries in Fairbanks, like HooDoo. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1525552065079-AXNGCWYJ9X4EP2JKD9TW/sophoria.jpg BLOG - NOT A LAUGHING MATTER - PHOTOGRAPHING REMOTE LOCATIONS I'm putting on a good face even though my leg was killing me. Thank you to Sophoria for both capturing the photos of me in the snow, but also for being another voice of reason, urging me to visit urgent care, and checking in on me before catching her flight home that night. https://www.jfwphoto.com/blog/2018/4/29/just-a-bit-past-peak-bloom monthly 0.5 2018-05-04 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1524978057795-HWH6TXAA2T6ANPVGEQTT/CherryBlossoms-3.jpg BLOG - PHOTOGRAPHING CHERRY BLOSSOMS PAST PEAK BLOOM A lot of patience and a lot of exposures let me keep the branch in focus while still capturing plenty of motion in the cherry blossoms. Fujifilm X-Pro2, 50mm, 1/15 @ f16, ISO 100. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1525113850200-OQ8PFHJM1FPYAR6ZRXKV/CherryBlossoms-4.jpg BLOG - PHOTOGRAPHING CHERRY BLOSSOMS PAST PEAK BLOOM For this photo I choose a slightly slower shutter speed, coupled with a wider lens, to really emphasize the motion. Again, I left some branches in the frame to give context to the photograph. Fujifilm X-Pro2, 23mm, 1/8 @ f16, ISO 100 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1525114100439-1XJR0X4K4K569D2V5M0E/CherryBlossoms-2.jpg BLOG - PHOTOGRAPHING CHERRY BLOSSOMS PAST PEAK BLOOM This was the photograph I was expecting to make when I left the house that morning. Fujifilm X-Pro2, 50mm, 1/8 @ f10, ISO 200 https://www.jfwphoto.com/blog/2018/4/8/isnt-that-the-secretary-of-the-navy monthly 0.5 2018-04-15 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1523209435244-FIFXFPFXD14GQDDJMQCX/180407-N-PO203-0076.jpg BLOG - ISN'T THAT THE SECRETARY OF THE NAVY? Secretary of the Navy Richard V. Spencer talks with members of the Office of Naval Research STEM coordination office. Nikon D4S, 24-70mm, 1/160 @ f4.0, ISO 3200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1523211543048-SJAN4K4NAIYLO34KSAI7/180407-N-PO203-0106.jpg BLOG - ISN'T THAT THE SECRETARY OF THE NAVY? Nikon D4S, 70-200mm, 1/160 @ f3.2, ISO 3200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1523211564994-FU00M7WMMLW9XSC1HWG8/180407-N-PO203-0159.jpg BLOG - ISN'T THAT THE SECRETARY OF THE NAVY? A more traditional STEM image. Nikon D4S, 70-200mm, 1/160 @ f 2.8, ISO 3200. https://www.jfwphoto.com/blog/2018/3/29/the-story-of-two-photos-and-one-cover monthly 0.5 2018-04-15 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1522532726007-F1HUITMXZWRKPDZK8928/John-Mark.jpg BLOG - THE STORY OF TWO PHOTOS AND ONE COVER That's me on the left and my friend Mark on the right, both taken with a Canon Powershot G7. Photo credit goes to each of us respectfully. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1522437842256-7UQ1YML4EWHP5RHYL1TR/Apr_SS_2018_cover.jpg BLOG - THE STORY OF TWO PHOTOS AND ONE COVER April 2018 edition of SpinSheet magazine featuring my photograph of Mark at the helm of Valient. https://www.jfwphoto.com/blog/2018/2/23/an-original-polaroid-sx-70-part-1 monthly 0.5 2018-04-08 https://www.jfwphoto.com/blog/2018/2/10/resetting-my-fujifilm-x-pro2-to-zero monthly 0.5 2018-11-02 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1518539341378-WL54SO4G02E2Z4QFW8JH/reset.jpg BLOG - RESETTING MY FUJIFILM X-PRO2 TO ZERO Select USER SETTING > RESET in setup menu. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1518539368834-AV42R8KJT3LNM131CFWZ/Copyright.jpg BLOG - RESETTING MY FUJIFILM X-PRO2 TO ZERO I take the opportunity to add my email address instead of using my name twice. https://www.jfwphoto.com/blog/2018/1/18/photographing-memories monthly 0.5 2018-01-19 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1516290931599-7P7P6854B1B34IK18JN1/Pooh.jpg BLOG - PHOTOGRAPHING MEMORIES AND LETTING GO https://www.jfwphoto.com/blog/2017/11/28/cameras-in-the-mist monthly 0.5 2018-01-19 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1511896625716-M1ETZ5Z0YDKF1L3GJGTA/ChathamAcres-1.jpg BLOG - CAMERAS IN THE MIST I was in Florida looking at some property and took note of this small grove of trees and thought it might be worthwhile returning to photograph it at some point. Then several days later when I awoke to fog, I knew exactly where I was headed. Fujifilm X-Pro2, 50mm, 1/4 @ f14, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1511897182372-UY2HP94P92R35R9I2FD0/ChathamAcres-2.jpg BLOG - CAMERAS IN THE MIST I choose to shoot a little tighter in order to emphasize the Spanish moss hanging from the tree. It's scenes like this that scream for fog. Fujifilm X-Pro2, 50mm, 1/4 @ f11, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1512309619340-WPC4MX1N792PRZ5H845J/Glenview.jpg BLOG - CAMERAS IN THE MIST Fog softens and obscures all the distractions from the background, allowing the tree to take center stage. Fujifilm X-Pro2, 35mm, 1/13 @ f8, ISO 200. https://www.jfwphoto.com/blog/2017/11/9/really-right-expensive-stuff monthly 0.5 2017-12-19 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1510277066723-Q79SJPD9PAEBSF326FOG/Ballheads.jpg BLOG - REALLY RIGHT (EXPENSIVE) STUFF A tale of three ball heads. The Arca-Swiss, left, was expensive and too large, the Demon, right, was inexpensive and underwhelming, but the RRS BH-30, while not cheap, was just right. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1510278139821-A67KRG6S6U09E6FUDGF7/ballhead-bracket.jpg BLOG - REALLY RIGHT (EXPENSIVE) STUFF The RRS BH-30 Ball Head with the BXPro2 L-Plate for the Fujifilm X-Pro2. https://www.jfwphoto.com/blog/2017/11/6/vlog-reboot monthly 0.5 2018-01-19 https://www.jfwphoto.com/blog/2017/10/29/5-tips-for-photographing-in-cades-cove monthly 0.5 2018-01-19 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1509278636371-LF460Z59KNHH0W726L9T/SmokyMountains+%288+of+1%29.jpg BLOG - 5 TIPS FOR PHOTOGRAPHING IN CADES COVE An hour after sunrise, the first light reaches the valley and washes across Sparks Lane. Fujifilm X-Pro2, 50mm, 1/60 @ f11, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1509310628663-KTGZ5HALQQXW41ATFHRH/SmokyMountains-15.jpg BLOG - 5 TIPS FOR PHOTOGRAPHING IN CADES COVE As the sun rises in Cades Cove, it falls first on the tops of the surrounding mountains. In this photograph, the sun lights the fall foliage on the side of the mountain in the background. Fujifilm X-Pro2, 50mm, 1/30 @ f11, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1509308278877-SK5LV8NIBKLJDUS1IG4T/SmokyMountains+%281+of+2%29.jpg BLOG - 5 TIPS FOR PHOTOGRAPHING IN CADES COVE In this early morning photograph taken on Hyatt Lane, I was able to get a few shots without cars in the scene. What you don't see are the two cars and a van loaded with photographers behind me. Fujifilm X-Pro2, 16mm, 1/15 @ f10, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1509308191600-AAWZZZQX9573QVW8MESK/SmokyMountains-12.jpg BLOG - 5 TIPS FOR PHOTOGRAPHING IN CADES COVE The Eligah Oliver Place is just one of over a dozen historic structures located either close to the road or a short hike away. Fujifilm X-Pro2, 50mm, 1/500 @ f8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1509308229626-UZ4M9WWA0L9PZ7ZWMTLW/SmokyMountains+%283+of+1%29.jpg BLOG - 5 TIPS FOR PHOTOGRAPHING IN CADES COVE A bear cub photographed with a 50mm (75mm equivalent) and cropped. Park rules require you to keep a 50-yard distance from all wildlife. Fujifilm X-Pro2, 50mm, 1/500 @ f2, ISO 800. https://www.jfwphoto.com/blog/2017/10/6/why-im-switching-back-to-a-neck-strap monthly 0.5 2017-11-10 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1507294547459-WHWKM5C2QQBFQ9F7LULQ/wriststrap.jpg BLOG - WHY I'M SWITCHING BACK TO A NECK STRAP Wrist strap purchased on Etsy from McMurray and Blonde. The strap is good quality, looks good, is priced right and after eight months of almost daily use, showed little wear. https://www.jfwphoto.com/blog/2017/9/30/frozen-one-hour-photographing-icebergs monthly 0.5 2017-10-04 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1506763431078-0715PG2QIZSA4QCE2P6K/iceberg-7.jpg BLOG - FROZEN - PHOTOGRAPHING ICEBERGS Fujifilm X-Pro2, 50mm, 1/150 @ f10, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1506763529342-ZHFBZY0UTT9SCZMI8B8Q/iceberg-4.jpg BLOG - FROZEN - PHOTOGRAPHING ICEBERGS Fujifilm X-Pro2, 50mm, 1/160 @ f11, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1506763598589-NGVI71LC2Z5DJXFMEMD0/iceberg-6.jpg BLOG - FROZEN - PHOTOGRAPHING ICEBERGS Fujifilm X-Pro2, 16mm, 1/480 @ f5.6, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1506763651080-OC6S3JHWNB4UEXPMJFG1/iceberg-2.jpg BLOG - FROZEN - PHOTOGRAPHING ICEBERGS Fujifilm X-Pro2, 50mm, 1/340 @ f8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1506763678067-TTFKBUIDBPEVZ24P223R/iceberg-1.jpg BLOG - FROZEN - PHOTOGRAPHING ICEBERGS Fujifilm X-Pro2, 16mm, 1/210 @ f11, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1506763707399-F934RROV37BYHXJ1TLZW/iceberg-3.jpg BLOG - FROZEN - PHOTOGRAPHING ICEBERGS Fujifilm X-Pro2, 50mm, 1/500 @ f5.6, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1506763732901-LXGCUZKF7EPHQPLCPGZX/iceberg-5.jpg BLOG - FROZEN - PHOTOGRAPHING ICEBERGS Fujifilm X-Pro2, 16mm, 1/680 @ f5.6, ISO 200. https://www.jfwphoto.com/blog/2017/7/5/compose-the-scene-then-wait monthly 0.5 2017-07-05 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1499258308590-YEBZ9AMSDA71OTKC1OLJ/image-asset.jpeg BLOG - COMPOSE THE SCENE, THEN WAIT 1/1800 @f4.0, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1499259311144-PFRTNZA08ZKT35V9NSU4/image-asset.jpeg BLOG - COMPOSE THE SCENE, THEN WAIT 1/1600 @f4.0, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1499259338819-2KLF7N8U5T859ZL53QCP/image-asset.jpeg BLOG - COMPOSE THE SCENE, THEN WAIT 1/2200 @f4.0, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1499263304555-H4J592QA1DEMUHND1LCQ/image-asset.jpeg BLOG - COMPOSE THE SCENE, THEN WAIT 1/3000 @f4.0, ISO 200. https://www.jfwphoto.com/blog/2017/6/6/making-art-while-getting-inspired-by-art monthly 0.5 2017-06-10 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1496776497076-M1G3LHBZ70VMQ9SSIGQK/image-asset.jpeg BLOG - INSPIRED BY ART WHILE MAKING ART - PHOTOGRAPHING IN MUSEUMS At the Corning Museum of Glass in Corning, N.Y., the galleries offer plenty of photographic opportunities. Here, I was drawn to the monochrome look of the background and the contrast with the color and form of the glass. I also like how the shapes created by the silhouettes of museum-goers interact with the curves of the glass. Fujifilm X-Pro2 with a 50mm F2.0 lens, 1/500 @f5.0, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1496777069428-EGKWSAE8M1SSLMSJ0BCF/image-asset.jpeg BLOG - INSPIRED BY ART WHILE MAKING ART - PHOTOGRAPHING IN MUSEUMS I use the pop of color and door frame to draw you into this photo taken at the National Gallery of Canada in Ottawa. The guard in the doorframe breaks up the scene and adds some life. Fujifilm X-Pro2 with a 50mm F2.0 lens, 1/40 @f2.8, ISO 320. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1496782212195-IJ6MLNZ98MEHQZ8DEC5O/Toronto-542.jpg BLOG - INSPIRED BY ART WHILE MAKING ART - PHOTOGRAPHING IN MUSEUMS The Royal Ontario Museum located in Toronto, Canada, has a great mixture of exhibits located in a wonderfully designed building. In this photo, I used the straight lines of the windows to contrast with the curved lines of the dinosaur. Choosing to present this as monochrome further emphasizes the patterns. Fujifilm X100S, 1/1250 @f2.8, ISO 800. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1497021209676-UXYU3KCCB46JGX874IWQ/Corning-9.jpg BLOG - INSPIRED BY ART WHILE MAKING ART - PHOTOGRAPHING IN MUSEUMS Museums typically have some great natural light and I think in this photo that's what gives it a light airy feel and compliments the art. People can bring a museum to life and like to include them whenever possible, however, I rarely make them the center of attention. It's for that reason that I often use silhouettes or obscure faces. Fujifilm X-Pro2 with a 50mm F2.0 lens, 1/1000 @f2.0, ISO 320. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1497026066838-7CLL0M6KG38M0GZFNGG4/museum-1.jpg BLOG - INSPIRED BY ART WHILE MAKING ART - PHOTOGRAPHING IN MUSEUMS What caught my eye in this image at the Royal Ontario Museum located in Toronto, Canada, was the rhino behind glass as if it's guarding this gallery, but somehow being held back. Fujifilm X100S, 1/8 @f4.0, ISO 800. https://www.jfwphoto.com/blog/2017/5/5/silence-is-truly-golden-with-mirrorless-cameras monthly 0.5 2017-05-12 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1494513981532-JS8K5FGRMHEUHIVQKDOV/image-asset.jpeg BLOG - SILENCE IS GOLDEN WITH MIRRORLESS CAMERAS Carol Cannon, with Allison Tsai on piano, perform at the Centre Street Performance Space, part of the Johns Hopkins Peabody Institute, in Baltimore, Md. Fujifilm X-Pro2 with a Fujinon 50mm, f2. 1/160 @ f2, ISO 1250. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1494514023498-QM2E4XUUMR9QQLM6KBRD/image-asset.jpeg BLOG - SILENCE IS GOLDEN WITH MIRRORLESS CAMERAS I took these photos from my seat while the event's official photographer, with two Nikon D5 cameras, who was sitting right in front of me could only watch. The soloist never knew I was taking these pictures. Fujifilm X-Pro2 with a Fujinon 50mm, f2. 1/160 @ f2, ISO 800. https://www.jfwphoto.com/blog/2017/4/21/photographic-adventure-blog-shenandoah-on-a-motorcycle-a-test monthly 0.5 2017-05-12 https://www.jfwphoto.com/blog/2017/4/7/with-the-fujinon-xf50mm-is-my-kit-complete monthly 0.5 2021-10-21 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1491568764309-4KI4PWB9KB8R8R3LV5PV/image-asset.jpeg BLOG - DOES THE FUJINON XF50 LENS COMPLETE MY KIT? Cherry blossoms in Washington, D.C., taken with the Fuji X-Pro2 and a Fujinon XF50mm F2 R WR lens at 1/80 @ f2.8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1491834020632-CJR9X5C0B8METW56JEMY/image-asset.jpeg BLOG - DOES THE FUJINON XF50 LENS COMPLETE MY KIT? Fujinon XF50mm F2 R WR lens at 1/500 @ f3.6, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1491834552307-AROTT95N90ZT5QF35U9R/image-asset.jpeg BLOG - DOES THE FUJINON XF50 LENS COMPLETE MY KIT? Fujinon XF50mm F2 R WR lens at 1/17 @ f2.8, ISO 200. https://www.jfwphoto.com/blog/2017/2/10/did-i-finally-find-the-perfect-fuji-lens monthly 0.5 2017-03-06 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1486778185509-3O7EHSAXY9JK5S9BZ4SQ/inaguration-1.jpg BLOG - DID I FINALLY FIND THE PERFECT FUJI X LENS? This was the first scene I came across as I found a position near 6th St. on the Mall. The Naked Cowboy is cliché, but that's in Times Square, not D.C. Plus who could pass up the word Trump emblazoned across his Fruit of the Loom underwear. Fujifilm X-Pro2 with a Fujinon XF 23mm f2 R WR, 1/90 @ f2.8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1486822899781-64YAO74N8SW8OYYSSD1R/image-asset.jpeg BLOG - DID I FINALLY FIND THE PERFECT FUJI X LENS? When I went to the 2009 inauguration of Barack Obama I was about a block farther away, so I knew that I would never get a photograph of the actual swearing in. So I positioned myself close to a screen in order to capture the moment. Fujifilm X-Pro2 with a Fujinon XF 23mm f2 R WR, 1/320 @ f5.6, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1486822935491-Z2APXNXREXWTDJH3DY0D/image-asset.jpeg BLOG - DID I FINALLY FIND THE PERFECT FUJI X LENS? The 23mm allowed me to capture this moment between two first time inauguration attendees while moving in the crowds. Fujifilm X-Pro2 with a Fujinon XF 23mm f2 R WR, 1/300 @ f2.8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1486822973438-F7G8II1OW0M3KUON3AF7/image-asset.jpeg BLOG - DID I FINALLY FIND THE PERFECT FUJI X LENS? The final photograph I made that day was of Barack and Michelle Obama leaving D.C. aboard Marine One. Once again I was looking for crowd reaction to the scene happening on the big screen. Although there is some disagreement, my opinion is the crowds weren't as big as in 2009, but this is the kind of situation, crowds, fast-moving and with plenty of action, that I like, and the 23mm was the perfect one lens for me that day. Fujifilm X-Pro2 with a Fujinon XF 23mm f2 R WR, 1/200 @ f6.4, ISO 200. https://www.jfwphoto.com/blog/2016/12/28/photographic-adventure-vlog-hawaii monthly 0.5 2016-12-30 https://www.jfwphoto.com/blog/2016/12/24/photographic-adventure-vlog-shenandoah-national-park monthly 0.5 2016-12-28 https://www.jfwphoto.com/blog/2016/12/1/salton-sea-a-photographic-study-in-black-and-white monthly 0.5 2016-12-24 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480614492806-7PY7Q1WBAMUG9HI851CY/image-asset.jpeg BLOG - SALTON SEA - A PHOTOGRAPHIC STUDY IN BLACK AND WHITE Salton Sea State Recreation Area. 1/640 @ f8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480615129350-4MINK0DGZF5T60F35W8S/image-asset.jpeg BLOG - SALTON SEA - A PHOTOGRAPHIC STUDY IN BLACK AND WHITE North Shore. 1/750 @ f8, ISO 200 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480615284785-O6YE2MEA4T5Y5A7VNPUM/image-asset.jpeg BLOG - SALTON SEA - A PHOTOGRAPHIC STUDY IN BLACK AND WHITE North Shore. 1/640 @ f9, ISO 200 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480615543895-K2PK9LCDUJK8K8ITWVUL/image-asset.jpeg BLOG - SALTON SEA - A PHOTOGRAPHIC STUDY IN BLACK AND WHITE Salton City. 1/350 @ f11, ISO 200 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480615736082-W6BADFMO617TJT7DGXJB/image-asset.jpeg BLOG - SALTON SEA - A PHOTOGRAPHIC STUDY IN BLACK AND WHITE Salton Sea Beach. 1/240 @ f8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480615840835-GU5KC3JQLHH2HYP2IPYJ/image-asset.jpeg BLOG - SALTON SEA - A PHOTOGRAPHIC STUDY IN BLACK AND WHITE Salton Sea Beach. 1/750 @ f8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480615929145-OPU7YDQ8WVK6DBANANK3/image-asset.jpeg BLOG - SALTON SEA - A PHOTOGRAPHIC STUDY IN BLACK AND WHITE Desert Shores. 1/340 @ f8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480616000381-4VZQ3RXRVC3HFDL6BM8S/image-asset.jpeg BLOG - SALTON SEA - A PHOTOGRAPHIC STUDY IN BLACK AND WHITE Desert Shores. 1/250 @ f8, ISO 200. https://www.jfwphoto.com/blog/2016/12/1/photographic-adventure-vlog-avalanche-lake monthly 0.5 2016-12-01 https://www.jfwphoto.com/blog/2016/11/16/finding-photographs-in-joshua-tree monthly 0.5 2016-12-24 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1479309938116-79HW6IGJBVAHFVLFF823/image-asset.jpeg BLOG - FINDING PHOTOGRAPHS IN JOSHUA TREE NATIONAL PARK The light that appears just after sunrise is special. In this case, I liked how it made the sand colored mountains glow. I wanted something in the foreground and picked this lone josohua tree which I originally thought about shooting in silhouette, however, as the sun began to rise above the mountains behind me I knew I would have a few minutes where the sun lit the top of the tree, but before it lit me and cast my shadow into the scene. Sometimes missing the actual sunrise is fine. Fujifilm X-Pro2 with a Fujinon XF 35mm f2 R WR, 1/60 @ f14, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1479399576622-H5HA0H5O4Z60NK96N6GL/image-asset.jpeg BLOG - FINDING PHOTOGRAPHS IN JOSHUA TREE NATIONAL PARK During the middle of the day I had a great time exploring a section of the national park called Jumbo Rocks. Lots of fun climbing around the granite rock formations in search of interesting shapes. I thought the light wrapping around this particular boulder which was balancing on an even bigger boulder made a nice composition. Choosing to convert to monochrome during post processing helps to focus on that composition as does using a red filter, which turns the blue sky almost black. Fujifilm X-Pro2 with a Fujinon XF 35mm f2 R WR, 1/900 @ f8.0, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1479401019800-UQZ7EUSB8JZOJ64WYEDA/image-asset.jpeg BLOG - FINDING PHOTOGRAPHS IN JOSHUA TREE NATIONAL PARK I kept noticing how these lines of a different type of rock made their way through the giant granite formations. In this case, I used the line to lead the viewer into the photo. Fujifilm X-Pro2 with a Fujinon XF 35mm f2 R WR, 1/680 @ f11, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1479400212143-7913XWR3GHAD2DF2ZDPI/image-asset.jpeg BLOG - FINDING PHOTOGRAPHS IN JOSHUA TREE NATIONAL PARK One of the best things about photographing during the winter months is that the sun sets early enough that there is still plenty of time for dinner. What is difficult, however, is with close to 800,000 acres of land, how do you find the perfect spot to photograph that sunset in Joshua Tree National Park. During my travels through the park earlier in the day, I found a section with a lot of trees, so I returned to that spot and after about 20 minutes of walking around as the sun dropped behind a distant mountain, I found a nice composition and made my final photo of the trip. Fujifilm X-Pro2 with a Fujinon XF 16mm f1.4 R WR, 1/60 @ f9.0, ISO 200. https://www.jfwphoto.com/blog/2016/11/1/behind-the-scenes-photography monthly 0.5 2016-11-07 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1478033003979-ELC7M1H36I0PQWF1HE4H/GCT-3.jpg BLOG - BEHIND-THE-SCENES TOUR AND FUJINON 16-55MM FIRST LOOK The first stop on the tour was the glass-floored walkway located at the very top the terminal. Several small open windows gave me this grand view of the terminal's main concourse, including the famous terminal clock located above the information booth at center. Fujifilm X-Pro2 with a Fujinon 16-55mm lens. 1/60 @ f2.8, ISO 2000. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1478033023749-L7IO785KX9GS7I22LOFJ/image-asset.jpeg BLOG - BEHIND-THE-SCENES TOUR AND FUJINON 16-55MM FIRST LOOK This abandoned railcar located on track 61 was used by FDR during his presidency to transport him, already seated in his Pierce Arrow limousine, to a private station located under the Waldorf Astoria hotel. Fujifilm X-Pro2 with a Fujinon 16-55mm lens. 1/15 @ f2.8, ISO 6400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1478033106657-NRI4KC2HCEKFCTCJPTO6/image-asset.jpeg BLOG - BEHIND-THE-SCENES TOUR AND FUJINON 16-55MM FIRST LOOK The secret sub-basement known as M42 is 13 stories below Manhatten, doesn't exist on any plans and still houses massive electrical converters dating from WWII. Like the railcar photo above, monochrome just made sense. Fujifilm X-Pro2 with a Fujinon 16-55mm lens. 1/15 @ f2.8, ISO 1250. https://www.jfwphoto.com/blog/2016/10/19/how-did-you-see-that monthly 0.5 2016-11-10 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1476968869444-3XAE6VUE15BMP9O2Z2ID/image-asset.jpeg BLOG - HOW DID YOU SEE THAT? Fujifilm x-Pro2 with a 35mm lens. 1/140 @ f7.1, ISO 800, exp. comp. -1.0. Processed in Adobe Lightroom CC (2015) and Nik Color Efex Pro. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1476969501472-RBKHS6G1UYL1ZGGLQ3VB/image-asset.jpeg BLOG - HOW DID YOU SEE THAT? The first view of the setting sun I had before making my way past the hotel to the rocks. https://www.jfwphoto.com/blog/2016/10/4/two-days-two-very-different-photographs monthly 0.5 2016-10-16 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1475637967581-RISHQY2ZJHCYRY2116EZ/image-asset.jpeg BLOG - TWO DAYS, TWO VERY DIFFERENT PHOTOGRAPHS The first thing I noticed was the bare feet and the half empty bottle of liquor as this couple approached me on the boardwalk in Virginia Beach. That was enough for me to turn around and follow. When I noticed the dog, I had all I needed for an interesting photograph. I followed for about five minutes before the crowd thinned enough for me to isolate those elements. Fujifilm X-Pro2 with a 16mm, 1/340 @ f2.8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1475637913457-RMPUQI8FRU6PDNK2TFYX/image-asset.jpeg BLOG - TWO DAYS, TWO VERY DIFFERENT PHOTOGRAPHS With sunrise or sunset photos, I like to have a foreground element. In this case, I used the pier which helps lead you into the photograph. The sun provides some backlight at the end of the pier and adds a subtle warmth overall without overpowering the photograph. Finally, I used a slow shutter speed to smooth out the surf, which further draws you in. Fujifilm X-Pro2 with 16mm, 1 second @ f16, ISO 200. https://www.jfwphoto.com/blog/2016/9/27/same-lake-three-different-photographs monthly 0.5 2017-06-11 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1474995069074-X0UORPGRYSO5JKTQTBIR/image-asset.jpeg BLOG - SAME LAKE - THREE DIFFERENT PHOTOGRAPHS When I peered out of my tent at 4 a.m., I could see the stars. An hour later when I broke camp and headed to the lake, the stars were gone and the clouds were starting to build. There was some wind, however, it was blocked by the mountains, so the surface of the lake remained calm, allowing me to capture some nice reflections. A half hour after I took this photograph, the sky became a solid gray and it started to rain. No sunrise, but I still came away with a photograph. Fujifilm X-Pro2 with 16mm lens, 1 second @ f3.2, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1474996607052-F0ESHYFRWUO8N7ZU4FN7/image-asset.jpeg BLOG - SAME LAKE - THREE DIFFERENT PHOTOGRAPHS I knew that I would not be able to capture the sunset unless I hiked back to the other side of the lake. and that wasn't going to happen. But the great late afternoon light coming from behind and skimming the tops of the mountains on either side of the lake added a nice warm color reflection and made the photograph. Fujifilm X-Pro2 with 16mm lens, 1/60 @ f11, ISO 800, Exp. Comp. -1.3. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1474997232027-NFU43S4QMN4BZBP3I3NI/image-asset.jpeg BLOG - SAME LAKE - THREE DIFFERENT PHOTOGRAPHS At this end of the lake, there is plenty of debris, mostly logs, that has built up and makes for some interesting foregrounds. In this case, I switched to a vertical and used this large branch to lead you into the photograph. Converting to monochrome emphasizes the contrast between the warm wood and the cool lake. Fujifilm X-Pro2 with a 16mm lens, 1/60 @ f16, ISO 800, Exp. Comp. -0.3. https://www.jfwphoto.com/blog/2016/8/21/photographing-three-waterfalls-in-three-days monthly 0.5 2016-09-02 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1472738000971-BA9I9B3KKULAYY82OK6M/image-asset.jpeg BLOG - PHOTOGRAPHING THREE WATERFALLS IN THREE DAYS A tripod of some sorts is a must if you wish to convey movement in the water. One of the advantages of tree cover and shadows is that you can normally achieve this look without adding neutral density filters to your camera. Fallingwater Cascades is a 1.7 loop hike located in the Jefferson National Forest off of the Blue Ridge Parkway. Fuji x-Pro2 with 16MM. 1/1.7 @ f16, ISO 200, -0.3 exposure compensation. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1472735844320-145Z1UDUHL0ES6A4ZCS8/image-asset.jpeg BLOG - PHOTOGRAPHING THREE WATERFALLS IN THREE DAYS Light not great, lots of people, that's when you look for other angles. I noticed these leaves and how the strong mid-day sun made them pop. That same light also provided a nice rim light which separated the rock ledge from the background and also reflected off the water brightening the underside which kept it from going completely dark. Spruce Flats Falls is a 1.5 mile out and back hike located near the Great Smoky Mountains Institute at Treemont. Fuji X-Pro2 with 35MM. 1/100 @ f2.2, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1472835763727-TONWBCLTJQG6MAO6CY40/image-asset.jpeg BLOG - PHOTOGRAPHING THREE WATERFALLS IN THREE DAYS You will need patience if you hope to capture a waterfall without people. Or you could embrace it and use people to add a splash of color and additional movement in the frame. Grotto Falls is a 2.6 mile out and back hike located outside Gatlinburg, Tenn., in the Great Smoky Mountains. Fuji X-Pro2 with 16MM. https://www.jfwphoto.com/blog/2016/7/4/too-boldly-go-not-a-review-of-the-fuji-16mm-lens monthly 0.5 2017-12-18 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1467645663721-EKC0BP8HL15N2QPGGTS3/image-asset.jpeg BLOG - TOO BOLDLY GO... NOT A REVIEW OF THE FUJI 16MM LENS Best Western Space Age Lodge in Gila Bend, Arizona. Fujifilm X-Pro2, 16mm 1.4. 1/70 @ f2.0, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1467647766134-5MD4NN8QZVQX9RQGJWID/image-asset.jpeg BLOG - TOO BOLDLY GO... NOT A REVIEW OF THE FUJI 16MM LENS Restored USS Enterprise model on display at the Smithsonian Sea Air and Space Museum in Washington, D.C. Fujifilm X-Pro2, 16mm 1.4. 1/60 @ f2.0, ISO 1000. https://www.jfwphoto.com/blog/2016/2/25/playboy-interview monthly 0.5 2016-05-13 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1456418430745-P8I2A2SGN7C3BWZ30OWU/image-asset.jpeg BLOG - PLAYBOY STYLE INTERVIEW PHOTOGRAPHS What would you call this photography or layout style when used to accompany an article? https://www.jfwphoto.com/blog/2016/5/2/pinhole-from-a-drone monthly 0.5 2016-05-06 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462283483198-N32VK20SA44ZX2ONRD36/image-asset.jpeg BLOG - A PINHOLE PHOTO TAKEN FROM A DRONE "Pinhole" photograph of Dogfish Head Brewery. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462301907802-JY6BRIO0G15IQNWFZOG8/image-asset.jpeg BLOG - A PINHOLE PHOTO TAKEN FROM A DRONE The who. Me and my son. He is the one flying the Solo 3DR. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462301944911-N8YPY3VD4ZMWRKL2R9YE/image-asset.jpeg BLOG - A PINHOLE PHOTO TAKEN FROM A DRONE Something to consider when taking a pinhole photograph from a drone is that you will be looking through a pinhole when flying the drone. So keeping the drone in sight and close is very important. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462462999615-2LNTMGDI6N65N05FTSOS/image-asset.jpeg BLOG - A PINHOLE PHOTO TAKEN FROM A DRONE https://www.jfwphoto.com/blog/2016/4/23/are-they-horses-or-ponies monthly 0.5 2016-05-05 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462476785660-UYJLGOXU1FW6GQJM32Y9/image-asset.jpeg BLOG - ASSATEAGUE, CHINCOTEAGUE - HORSES OR PONIES? Chincoteague Ponies. 1/1600 @ f5.6, ISO 400. Nikon D4S, 300mm 2.8 with 2x teleconvertor. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462475895263-QESIWRQU1AM0RGYR45JA/image-asset.jpeg BLOG - ASSATEAGUE, CHINCOTEAGUE - HORSES OR PONIES? Assateague sunset. 1/10 @ f20, ISO 200. Nikon D4S, 14-24mm at 14mm. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1461464291760-RMRUXEL634JN1DF6Q1W7/image-asset.jpeg BLOG - ASSATEAGUE, CHINCOTEAGUE - HORSES OR PONIES? Assateague Horses. 1/2000 @ f5.6, ISO 400. Nikon D4S with a 300mm 2.8 and 2x teleconverter. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1461492376995-D89JNQX8P3I5RRQMGC23/image-asset.jpeg BLOG - ASSATEAGUE, CHINCOTEAGUE - HORSES OR PONIES? Chincoteague sunrise. 1/640 @ f5.3, ISO 200. Nikon D4S, 80-400mm at 195mm. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1461492421892-I97PMGV9N0LBY0UBC7JL/image-asset.jpeg BLOG - ASSATEAGUE, CHINCOTEAGUE - HORSES OR PONIES? Swans Cove Pool, Chincoteague. 1/800 @ f5.6, ISO 400. Nikon D4S with a 300mm 2.8 and 2x teleconvertor. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1461493143276-I4C1JYL16DJ1DCV5Z3FV/image-asset.jpeg BLOG - ASSATEAGUE, CHINCOTEAGUE - HORSES OR PONIES? Assateague Lighthouse. 1/340 @ f5.6, ISO 200, exposure compensation +0.7. Fujifilm X-Pro2 with a 35mm (50mm equivalent). https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1461546257176-AEZG947AET5595EVS80V/image-asset.jpeg BLOG - ASSATEAGUE, CHINCOTEAGUE - HORSES OR PONIES? Assateague beach. 1/250 @ f2.8, ISO 200. Fujifilm X-Pro2 with a 35mm (50mm equivalent). https://www.jfwphoto.com/blog/2016/4/16/photographing-sunrise-in-big-meadow monthly 0.5 2016-04-17 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1460854602601-V966S6UEX13W6AKHYS3S/image-asset.jpeg BLOG - PHOTOGRAPHING SUNRISE IN BIG MEADOWS 1/15 @ f18, ISO 200. Nikon D4S, 24-70mm at 70mm. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1460855003736-B9X2V5AXU4Q8Z5QF2KI4/image-asset.jpeg BLOG - PHOTOGRAPHING SUNRISE IN BIG MEADOWS 1/15 @ f18, ISO 200. Nikon D4S, 14-24mm at 16mm. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1460855322915-VMG5AY0FIZGBMOHWEMU0/image-asset.jpeg BLOG - PHOTOGRAPHING SUNRISE IN BIG MEADOWS 1/20 @ f20, ISO 200. Nikon D4S, 14-24mm at 14mm. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1460855600906-VF79BLJ91SVV5WSLFL11/image-asset.jpeg BLOG - PHOTOGRAPHING SUNRISE IN BIG MEADOWS 1/800 @ f7.1, ISO 200. Nikon D4S, 24-70mm at 62mm. https://www.jfwphoto.com/blog/2016/4/10/one-day-photographing-the-oregon-coast monthly 0.5 2016-05-06 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462536208743-OPBDSG7C48L3NWMPD2KS/image-asset.jpeg BLOG - ONE DAY PHOTOGRAPHING THE OREGON COAST Haystack Rock. Nikon D4S, 14-24mm @ 15mm. 1/800 @ 3.5, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462537944466-9I078P1H940D1VXO1132/image-asset.jpeg BLOG - ONE DAY PHOTOGRAPHING THE OREGON COAST Ecola Point Rock. Nikon D4S, 14-24mm @ 14mm. 1/60 @ f9, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462538005381-NNHQC8HUNBWYC8ZFETAR/image-asset.jpeg BLOG - ONE DAY PHOTOGRAPHING THE OREGON COAST Ecola Point Rock. Fujifilm X-Pro2, 35mm (50mm equivalent), 1/40 @ f11, ISO 640. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1460327516777-1B2HAABFA7EL23I963WA/Oregon-3.jpg BLOG - ONE DAY PHOTOGRAPHING THE OREGON COAST Bird Rocks off of Chapman Point in Ecola State Park. Nikon D4S, 20-70mm @ 55mm. 1/18 @ f18, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1460327249345-19VUVM1S2BV87GOM195O/image-asset.jpeg BLOG - ONE DAY PHOTOGRAPHING THE OREGON COAST Short Sand Beack, Oswald West State Park. Fujifilm X-Pro2, 35mm (50mm equivalent), 1/680 @ f8, ISO 200, +1 exposure compensation. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462538046971-L2BVSB7B4JA3E6G2BFLQ/image-asset.jpeg BLOG - ONE DAY PHOTOGRAPHING THE OREGON COAST Oswald State Park. Fujifilm X-Pro2, 35mm (50mm equivalent), 1/140 @ f5.6, ISO 200, -1 exposure compensation. https://www.jfwphoto.com/blog/2016/3/27/hawaii-with-the-fujifilm-x-pro2 monthly 0.5 2016-06-21 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459104640939-S743653IK1IFEXSSPGEZ/image-asset.jpeg BLOG - HAWAII WITH THE FUJIFILM X-PRO2 On the first day as I wandered around Waikiki Beach trying to overcome some jet lag, I came across these kids being kids. I watched for a little bit before taking any photos and while they were aware I was there, they soon just went back to timing the surf and leaping from the pier. I liked this photo best because while most of these kids jumped feet first, this girl just went for it. 1/680 @ f5.6, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459123938018-QYR4Q4I8A1MZQKRPGBJB/image-asset.jpeg BLOG - HAWAII WITH THE FUJIFILM X-PRO2 As the sun dipped below the horizon, it didn't take long for it to get dark. I was photographing surfers and paddle boarders coming ashore when I noticed a hotel's flood light illuminating a patch of sand, so I positioned myself hoping that some action would take place in or near the light. I like the warm yellow light contrasting with the blue ocean and sky and that last hint of pink. I think that just enough light reaches the subjects and ensures that they weren't in silhouette. 1/35 @ f2.0, ISO 3200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459124110681-CBHK6H0MYNR1CSFBDBAH/image-asset.jpeg BLOG - HAWAII WITH THE FUJIFILM X-PRO2 I was around the fifth person to reach the top of Diamond Head just as the sun was coming up. In this photo, several visitors defied the off-limits signs and ventured about 50 yards to another peak. I didn't pay much attention until this gentleman climbed atop the metal frame. I like the contrast between the grass, concrete and the performance of this man balancing atop some old metal. With Honolulu in the background, he's on top of the world. 1/75 @ f6.4, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459124192089-HNLN2DPRYNX6T3MQVI9X/image-asset.jpeg BLOG - HAWAII WITH THE FUJIFILM X-PRO2 Something else I realized was that within a half hour of me reaching the summit of Diamond Head, I was joined by the entire country of Japan. Seriously, it did get really crowded and most of the visitors continued to take photos of the rising sun, probably long after it made sense. But as I made my way back down, I wanted to take a photo that would give a sense of the crowd, when I spotted this woman taking a picture of the sunrise. I turned, made three frames and keep moving. 1/120 @ f6.4, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459124251720-PXAG5C0RR2PHC6JGDQVE/image-asset.jpeg BLOG - HAWAII WITH THE FUJIFILM X-PRO2 On Oahu's North Shore, there are hundreds of spots to pull over and explore the coast with your camera. The weather was not great and most of the morning I was dealing with volcanic fog, or VOG, as the locals call it. Eventually, as I continued to drive along the coast, this tidal pool caught my attention and I focused on the lone snorkeler and the range of subtle color changes throughout the scene. 1/680 @ f5.6, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459124033891-IGXDPGZA1N9ZIF0JGXJ1/image-asset.jpeg BLOG - HAWAII WITH THE FUJIFILM X-PRO2 On my last night in Hawaii, I was walking back from dinner along Waikiki Beach watching all the tourists line up to photograph the sunset. It was a nice sunset, however with nothing spectacular to put in the foreground, I was drawn to the color reflected in the receding waves. A different view of the setting sun. 1/40 @ f3.2, ISO 200. https://www.jfwphoto.com/blog/2016/3/9/fuji monthly 0.5 2016-03-09 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457528157168-30A332736C5XA2OER7QV/image-asset.jpeg BLOG - FUJIFILM X-PRO2 INITIAL SETTINGS Fuji Xpro2 with XF 35 f2.0 lens, two SD cards, extra batteries and a soft shutter release button. Details and links appear at the end of this post*. https://www.jfwphoto.com/blog/2016/2/28/dc-streetcar-day-one monthly 0.5 2017-06-10 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1456755292209-8GKXOV595UABY5UY8AHZ/image-asset.jpeg BLOG - PHOTOGRAPHING DAY ONE ON THE DC STREETCAR Fujifilm X100S,f8.0 @ 1/800, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1456755319738-P3Y6C46ZJND2RKWHA8SD/image-asset.jpeg BLOG - PHOTOGRAPHING DAY ONE ON THE DC STREETCAR Fujifilm X100S,f4.0 @ 1/900, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1456675943006-UOA0ZV6BHMPBCTW59WWK/image-asset.jpeg BLOG - PHOTOGRAPHING DAY ONE ON THE DC STREETCAR Fujifilm X100S,f2.8 @ 1/900, ISO 400. https://www.jfwphoto.com/blog/2016/2/9/working-title monthly 0.5 2017-06-10 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1455114507163-0IPT6KKR0P1IDZCDSZFD/Task%26Purpose.jpeg BLOG - NOT ON TASK OR PURPOSE, BUT STILL COOL *original photo caption appears at the end of this post. https://www.jfwphoto.com/blog/2016/2/2/snowzilla-2016 monthly 0.5 2016-02-04 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1454421482084-KD0KK6C7L7F0VLC6BY5F/image-asset.jpeg BLOG - PHOTOS OF SNOWZILLA 2016 Placing a person in this photograph helps to show both scale and the dilemma of the pedestrian in the aftermath of the 2016 blizzard. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1454422534986-ZM6CE2H3K7OJICBRH0H5/image-asset.jpeg BLOG - PHOTOS OF SNOWZILLA 2016 Even by noon, many side streets had not yet been plowed. I like the light in this photo, people emerging from the shadows; while some streets are cleared, many remain untouched and unexplored. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1454422707025-C18KCFR8RG4XZH11093I/image-asset.jpeg BLOG - PHOTOS OF SNOWZILLA 2016 I titled this photo "Whole lotta love." What originally caught my attention was the line of people waiting for the Whole Foods to open. Then this couple caught my attention and I loved that they were in their own world. I also like how they help to fill some space in the empty parking lot. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1454422848464-EMTOOX3FGO1KM1Z8QLDP/image-asset.jpeg BLOG - PHOTOS OF SNOWZILLA 2016 What drew my eye to this scene was just how far-reaching and intrusive the snow was, even entering the parking garage that no cars had entered. I also like the symmetry of the opening and the splash of color from the poles. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1454423035201-V199W5XUS0N7RG6IZ1CB/image-asset.jpeg BLOG - PHOTOS OF SNOWZILLA 2016 I probably could have spent much more time with this scene, but the juxtaposition of dining al fresco just 13 hours after the blizzard ended tells a story about the Clarendon neighborhood in Arlington. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1454424577487-UQW77NAEXIYWR1VLX95K/image-asset.jpeg BLOG - PHOTOS OF SNOWZILLA 2016 This was the aftermath of a much larger snowball fight held at the Clarendon Metro Station. I clearly wasn't the only one who had a bit of cabin fever. https://www.jfwphoto.com/blog/2016/1/18/hands-on-with-the-solo-3dr monthly 0.5 2016-01-22 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1453234627147-B7JSYGNB6FGFMIZ13GEW/image-asset.jpeg BLOG - HANDS ON WITH THE SOLO 3DR DRONE https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1453476042728-PL0U87FRIHRLTIQIHVUX/image-asset.jpeg BLOG - HANDS ON WITH THE SOLO 3DR DRONE My son Patrick prepares the Solo 3DR prior to my first flight. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1453304470158-AVGM0L1W18MLFLM6J6DM/image-asset.jpeg BLOG - HANDS ON WITH THE SOLO 3DR DRONE The 3DR was really easy to fly and using Smart Shots, even a novice like me can achieve professional cinematographic looks with very little experience. (Photo by Patrick Williams) https://www.jfwphoto.com/blog/2015/12/28/a-walk-in-the-park monthly 0.5 2017-06-10 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1451333767696-RC451X9BGVUKRGMZPHUQ/image-asset.jpeg BLOG - A WALK IN THE PARK WITH A CAMERA Fujifilm X100S, 1/30 @f2.0, ISO 1600.* https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1451342617031-J8QI0NHUMI37NT5Z4H3C/image-asset.jpeg BLOG - A WALK IN THE PARK WITH A CAMERA I titled this photo Santa and his Reindeer. Fujifilm X100S,1/30 @f2.0, ISO 1600. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1451342674138-7S7RP7MKYVR6AESWAKJU/image-asset.jpeg BLOG - A WALK IN THE PARK WITH A CAMERA The statue of Milton Hershey seems to be rising from the steam caused by unseasonable warm weather. Fujifilm X100S,1/ 30 @f2.0, ISO 320. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1451342740048-PBO8AWVEBDFYKKQBCTMZ/image-asset.jpeg BLOG - A WALK IN THE PARK WITH A CAMERA The park wasn't completely empty, but the weather did keep many people away which gave the park an ominous feel. Fujifilm X100S, 1/60 @f2.8, ISO 1600. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1451342819270-JF0FXTEXJTY0JILS2FC5/image-asset.jpeg BLOG - A WALK IN THE PARK WITH A CAMERA Fujifilm X100S,1/30 @f2.0, ISO 1600. https://www.jfwphoto.com/blog/2015/11/30/12-photo-gifts-in-12-days-under-12-dollars monthly 0.5 2015-12-12 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1448977208511-YF4NAEIKU0MM2WLTK9HX/image-asset.png BLOG - 12 PHOTO GIFTS FOR UNDER 12 DOLLARS Merry Christmas and happy holidays to all the photographers out there and thank you for the continued support. https://www.jfwphoto.com/blog/2015/11/4/getting-creative-in-the-smokys monthly 0.5 2015-11-04 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446667768140-XF56Z38SR4OST5Q6E5TH/image-asset.jpeg BLOG - GETTING CREATIVE IN THE SMOKYS Horizontal camera swipe using a Nikon D4S with a 80-400 at 195. 1/1.7 @ f36, ISO 100. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446666394403-LF50MZFLQC4CTED5GWZA/image-asset.jpeg BLOG - GETTING CREATIVE IN THE SMOKYS Vertical camera swipe using a Nikon D4S with a 80-400 at 330. 1/1.7 @ f36, ISO 100. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446666430258-M5RID28DF77LKTTAZ2CG/image-asset.jpeg BLOG - GETTING CREATIVE IN THE SMOKYS Vertical camera swipe using a Nikon D4S with a 80-400 at 195. 1/1.7 @ f36, ISO 100. https://www.jfwphoto.com/blog/2015/10/24/shooting-into-the-sun monthly 0.5 2017-06-10 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445708528834-K3V5PTFRYZ6UIEV2JZIT/image-asset.jpeg BLOG - PHOTOGRAPHING INTO THE SUN This photograph which was taken one hour before sunset exhibits typical lens flare that causes artifacts usually in the shape of the iris. Lens flare is more common when using a zoom lens. ISO 200, f11 @ 1/500, with a Nikon 70-200 2.8 at 200mm. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445770521521-5K9XCF4ONGJ85XPJ8VVO/image-asset.jpeg BLOG - PHOTOGRAPHING INTO THE SUN This photograph was taken one hour after sunrise from high above the valley backlit by the sun. The light shining through the early morning fog gives this image a soft, ethereal feel. ISO 200, f22 @ 1/400 with an Nikon 80-400 4.5/5.6 at 400mm. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445770558591-ZUGFCA4A47D2558LESDI/image-asset.jpeg BLOG - PHOTOGRAPHING INTO THE SUN The sun, just out of the frame at right one half hour before sunset produced this unexpected pinkish hue. Shooting into the light can often result in flat, monochromatic images. ISO 200, f4.5 @ 1/80, with a Nikon 300 2.8. https://www.jfwphoto.com/blog/2015/10/14/photographers-peace-of-mind monthly 0.5 2015-10-20 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444900279658-AKFBBOLM72TNDU4ZI27O/image-asset.jpeg BLOG - PHOTOGRAPHER'S PEACE OF MIND The PacSafe Backpack and Bag Protector is the perfect way to secure a camera bag. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444900388403-520AMIX0WHWPWAN9ZV6J/image-asset.jpeg BLOG - PHOTOGRAPHER'S PEACE OF MIND The Thinktank Airport security bag has both a lock and a built it cable that allows you to secure the bag to a tie down point in your car. You can also run the cable through handles of other luggage and secure them as well. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444900648053-6UB4DWDOXO6ORLHZV0FH/image-asset.jpeg BLOG - PHOTOGRAPHER'S PEACE OF MIND While a trunk seems more secure than an SUV or hatchback, it's still no guarantee that your equipment is any safer. Out of site is good, but it doesn't mean out of mind. https://www.jfwphoto.com/blog/fwphoto.com/2015/09/the-power-of-photography-software.html monthly 0.5 2015-10-18 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444916059224-8F6WT26GXXOWFBZPL5Q5/image-asset.jpeg BLOG - TIME TO REVISIT OVERLOOKED PHOTOGRAPHS The final image of Mt. Denali edited in Adobe Lightroom CC and converted to black and white. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444916111397-3MTEIO5MQQQUZ2Z22ZWW/image-asset.jpeg BLOG - TIME TO REVISIT OVERLOOKED PHOTOGRAPHS The original raw image seen at left was shot with a Nikon D3S and 24-70mm f2.8 lens zoomed to 70mm, at 1/400, f13 with an of ISO 250. Final image is at right. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444916180140-2YV1X1VH6CSZ8BSMHEM9/image-asset.jpeg BLOG - TIME TO REVISIT OVERLOOKED PHOTOGRAPHS Lightroom has a very good spot removal tool, but because of the amount of clean up needed in this photo, I switched to Photoshop and used a combination of the spot healing and clone stamp tools. https://www.jfwphoto.com/blog/fwphoto.com/2015/09/5-reasons-i-choose-squarespace.html monthly 0.5 2015-10-26 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445856316169-9D5F32M8721GY6Y90DUV/image-asset.png BLOG - 5 REASONS I CHOOSE SQUARESPACE The Homepage offers a slideshow gallery that advances automatically and displays photographs that do not appear anywhere else on the site. UPDATE: October 22, 2015. Added an additional category and Homepage now features a photo from each. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445856359076-F6SHR2TUQM8IQQO9D678/image-asset.png BLOG - 5 REASONS I CHOOSE SQUARESPACE I'm using the About page to also provide links to tear sheets and my affiliate links. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445856394296-YMZ65QJDNALZI4FSDQGW/image-asset.png BLOG - 5 REASONS I CHOOSE SQUARESPACE This is typical of my gallery pages where I offer both navigation arrows and thumbnails. However, the commercial gallery seen here is the only place I offer full caption information on every photo. https://www.jfwphoto.com/blog/fwphoto.com/2015/08/the-relaunch-of-jfwphotocom.html monthly 0.5 2015-10-26 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445855799156-TAXWX0DS589NEQ6U25KR/image-asset.png BLOG - THE RELAUNCH OF JFWPHOTO.COM The homepage of jfwphoto.com using the Squarespace Ishimoto template. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445855889290-DGZIRVJRHLJ9AC37ORRS/image-asset.png BLOG - THE RELAUNCH OF JFWPHOTO.COM Landscape gallery page using slideshow with Show Thumbnails and Show Next and Previous Controls selected. I'm still trying out various gallery styles. https://www.jfwphoto.com/blog/fwphoto.com/2015/08/flickr-top-ten-part-ii.html monthly 0.5 2015-08-14 https://www.jfwphoto.com/blog/fwphoto.com/2015/08/flickr-top-ten-part-i.html monthly 0.5 2015-08-14 https://www.jfwphoto.com/blog/fwphoto.com/2015/07/passport-photos-its-really-not-that-hard.html monthly 0.5 2015-07-07 https://www.jfwphoto.com/blog/fwphoto.com/2015/05/5-tips-for-photographing-in-muir-woods.html monthly 0.5 2019-03-22 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445162043697-XC5I1WZEKEBQ2I7NDPAH/DSCF6322.jpg BLOG - 5 TIPS FOR PHOTOGRAPHING IN MUIR WOODS Occasionally, some light makes its way to the forest floor which adds some nice contrast. Fujifilm XT1, 0.5 sec @ f11, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445162089593-PPNL13MHN2B0W4UP37IU/image-asset.jpeg BLOG - 5 TIPS FOR PHOTOGRAPHING IN MUIR WOODS As someone who does not shoot a lot of verticals, this location was the exception. Fujifilm XT1,1/2.3 @ f18, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445162141461-5FZZCDHGH0GDGDK6EX95/image-asset.jpeg BLOG - 5 TIPS FOR PHOTOGRAPHING IN MUIR WOODS There are a few places along the trail such as Cathedral Grove where you are able to get nice canopy shots from the trail. Fujifilm XT1, 0.3 sec @ f14, ISO 200 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445162175903-QN1Z4DCCO3QBDPDGIS7O/image-asset.jpeg BLOG - 5 TIPS FOR PHOTOGRAPHING IN MUIR WOODS Don’t lose sight of the forest for the trees, or in this case, take the time and look for details among the trees. Fujifilm XT1, 1/13 sec @ f4.5, ISO 200 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445162212511-8LQMR7U8PTJ7RV609RNV/image-asset.jpeg BLOG - 5 TIPS FOR PHOTOGRAPHING IN MUIR WOODS Shooting from a low angle with a wide-angle lens enhances the grandeur. Fujifilm XT1, 1/8 @ f8, ISO 400. https://www.jfwphoto.com/blog/fwphoto.com/2015/04/making-best-of-worldwide-pinhole-day.html monthly 0.5 2018-01-23 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459564455187-1CGXZQ9JQTFS4UQCHV7M/image-asset.jpeg BLOG - MAKING THE BEST OF WORLDWIDE PINHOLE DAY Pinhole photo of a Saguaro cactus taken with a Nikon D4S. One-second exposure, aperture unknown. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459564604216-IXBJBORDTGTZTZF1XASM/image-asset.jpeg BLOG - MAKING THE BEST OF WORLDWIDE PINHOLE DAY The tools I used to make the hole in the camera's body cap. https://www.jfwphoto.com/blog/fwphoto.com/2015/03/5-tips-for-shooting-golden-gate-bridge.html monthly 0.5 2015-10-18 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445164212421-Z4TK46QE2GT6818AFCCI/image-asset.jpeg BLOG - 5 TIPS FOR PHOTOGRAPHING THE GOLDEN GATE BRIDGE The Golden Gate Bridge a half hour prior to sunrise. 30 sec. @ f8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445164268014-RRTDUSVQQMOO5SD1N4BZ/image-asset.jpeg BLOG - 5 TIPS FOR PHOTOGRAPHING THE GOLDEN GATE BRIDGE Consider a rental car or Zip car so you can get to locations away from the crowds, like this photograph of the bridge taken from Point Bonita Lighthouse just before sunset. 1/18 @ f22, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445164330968-TLHBPGTHZSFOUQLLKRNL/image-asset.jpeg BLOG - 5 TIPS FOR PHOTOGRAPHING THE GOLDEN GATE BRIDGE A different look at the bridge from Battery Spencer. 1/1700 @ f3.2, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445164957037-A7U5E4RPS4Y3RZTO2NJ9/image-asset.png BLOG - 5 TIPS FOR PHOTOGRAPHING THE GOLDEN GATE BRIDGE Screen shot from my iPad of the SunSeeker App showing my location and sun direction on the morning of March 17, 2015, as I was attempting to photograph the sunrise. One of the nice things about this App is that you can pick a day and time in the future so that there are no surprises, except for maybe rain and fog. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445164389911-XNSLSQCY28METWBZFE3Z/image-asset.jpeg BLOG - 5 TIPS FOR PHOTOGRAPHING THE GOLDEN GATE BRIDGE The Vista Point visitor center gets crowded with both cars and people. I found most people moved on quickly so if you want a particular shot, just wait a few minutes. 1/100 @ f11, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445165341953-D7BU2QBW1IURST2SW94M/image-asset.jpeg BLOG - 5 TIPS FOR PHOTOGRAPHING THE GOLDEN GATE BRIDGE Think about details and capturing pieces of the bridge, even from underneath. This was taken while walking from the Coast Guard station up the hill to the Vista Point parking area. 1/350 @ f9, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445164517603-6QCYL8W3DTQ8YZ19VVXD/image-asset.jpeg BLOG - 5 TIPS FOR PHOTOGRAPHING THE GOLDEN GATE BRIDGE Among the first photographs I took of the bridge, was as I made the short climb at Battery Spencer which puts you at eye level with the bridge towers and in this case almost in the clouds. 1/60 @ f10, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445164807720-H7LPG1P42XP5HGTUJ71J/image-asset.jpeg BLOG - 5 TIPS FOR PHOTOGRAPHING THE GOLDEN GATE BRIDGE Photographed from the trail at Lands End. I rarely use presets, but something about this photograph reminded me of a classic postcard, so I added Yesteryear, and Rounded Corners White presets in Lightroom 5. 1/2000 @ f4, ISO 200. https://www.jfwphoto.com/blog/fwphoto.com/2015/03/seven-days-with-fuji-x-t1.html monthly 0.5 2015-12-06 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445363870573-0L24RBXW134QONSE0PON/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-T1 The first place I headed after landing in San Francisco was the Golden Gate Bridge. 1/200 @ f9, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445363941066-7EWLACCJK80BDALWANYJ/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-T1 Fujifilm X-T1 mirrorless digital camera. Photo courtesy of Fujifilm.com https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364149041-GA9WLNP14LTC1I0S2H1E/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-T1 I never really felt as comfortable doing street photography with this camera as I have with previous Fuji X rangefinders such as the X-Pro1 and the X100S. 1/15 @ f6.4, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364197694-ERLKV2QYFRAHF3Y34PY8/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-T1 I found the 18-55mm lens very sharp at all focal lengths and appreciated the zoom, especially during this review period where I was covering a variety of scenes. 1/13 @ f4.5, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364035854-GG458YLH7R8UDTWZPRCP/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-T1 Having a tiltable LCD screen meant that it was extremely easy to take this shot with the camera pointing straight up. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445363985536-5RZAO75F880AWCIYR5QM/image-asset.png BLOG - SEVEN DAYS WITH THE FUJI X-T1 Fujifilm XF 18-55mm f 2.8-4 R LM OIS zoom lens. Photo courtesy of www.bhphotovideo.com https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364256605-82ESEGVOK32XV95IH7K5/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-T1 This camera does not have a built in ND filter like the X100S, so the slowest shutter speed I could get was 1/18 in this situation when I would have preferred something slower. 1/18 @ f22, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364308474-TT1BX5OZGJISNCOJZJZZ/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-T1 One thing about carrying a mirrorless camera, I am much more likely to notice shots like this during lunch in Sausalito. 1/140 @ f5, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364360010-W1XB6K4LIEPBUSNOZGVW/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-T1 Like with previous cameras, I set the X-T1 to shoot Raw + JPEG with the JPEG set to MONOCHROME + Ye filter. With the Firmware V3.00 update, you will be able to enable the classic chrome film simulation mode. 1/600 @ f7.1, ISO 400. https://www.jfwphoto.com/blog/fwphoto.com/2015/03/photographing-kentucky-bourbon-trail.html monthly 0.5 2016-03-08 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457466744931-FYVZNMJTDQBM6DGZ0ZSZ/image-asset.jpeg BLOG - PHOTOGRAPHING THE KENTUCKY BOURBON TRAIL Bourbon barrels aging at Woodford Reserve. 1/15 @ f2.0, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457467016157-2Y9KUSIZ3TXE5HRZ4XOL/image-asset.jpeg BLOG - PHOTOGRAPHING THE KENTUCKY BOURBON TRAIL Early morning light at the Brown-Forman distillery in Louisville, Kentucky. I always seem to be drawn to oversized versions of everyday items. 1/640 @ f5.6, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457467809256-2DAQGZQM0QD10PXU0UE6/image-asset.jpeg BLOG - PHOTOGRAPHING THE KENTUCKY BOURBON TRAIL Photo courtesy of Amazon.com https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457467097467-YAJBVVPRVRNZPD71LL8E/image-asset.jpeg BLOG - PHOTOGRAPHING THE KENTUCKY BOURBON TRAIL All the ingredients to make bourbon are in these tanks at the Wild Turkey distillery in Lawrenceburg, Kentucky. 1/70 @ f5.6, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457467154479-E9M8NVDD06CRS027GDM7/image-asset.jpeg BLOG - PHOTOGRAPHING THE KENTUCKY BOURBON TRAIL Open fermentation tanks at the Woodford Reserve distillery in Versailles, Kentucky. 1/320 @ f2.0, ISO 800. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457467247568-DOGWQOT1ICP1KLWT175C/image-asset.jpeg BLOG - PHOTOGRAPHING THE KENTUCKY BOURBON TRAIL Take note of the shutters at the Makers Mark distillery in Loretto, Kentucky. 1/420 @ f8, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457467365353-WGE84W7Z1FRJDZZHNMQ2/image-asset.jpeg BLOG - PHOTOGRAPHING THE KENTUCKY BOURBON TRAIL The bottling line at Jim Beam American Stillhouse in Clermont, Kentucky. None of the distilleries I visited placed any restrictions on still photography, although a few requested no video be recorded. 1/25 @ f5.6, ISO 800. https://www.jfwphoto.com/blog/fwphoto.com/2015/03/photographing-in-great-smokies-day-three.html monthly 0.5 2016-03-08 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457461325192-SII8O5KGAP6VK4C77UY3/image-asset.jpeg BLOG - PHOTOGRAPHING IN THE GREAT SMOKIES - FINAL DAY Smoky Stream. 8 @ f20, ISO 100, two graduated ND filters stacked. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457461401029-N0A7ECN1GG5LM24T0W32/image-asset.jpeg BLOG - PHOTOGRAPHING IN THE GREAT SMOKIES - FINAL DAY While the clouds blocked any chance of a view from the Newfound Gap overlook, just down the road from the summit there were short glimpses of the mountainside. 1/400 @ f9, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457461461933-WWFZEIV0EHO5NUQ8OVGO/image-asset.jpeg BLOG - PHOTOGRAPHING IN THE GREAT SMOKIES - FINAL DAY When something on the side of the road catches your eye you have to make a decision as to whether or not you are going to make a u-turn and photograph it. I urge you to make more u-turns. 1/300 @ f8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457461557032-8ILCGLDY3CJUM0MFDAHQ/image-asset.jpeg BLOG - PHOTOGRAPHING IN THE GREAT SMOKIES - FINAL DAY Along the very short section of the Blue Ridge Parkway I traveled, there were plenty of scenic overlooks, without much of a grand view, but these trees still proved interesting when taken from a low angle with a 14-24mm, 1/125 @ f22, ISO 200 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457461628882-ORKPPGC39ECLPF3ERHQO/image-asset.jpeg BLOG - PHOTOGRAPHING IN THE GREAT SMOKIES - FINAL DAY Once again it pays to turn around from the setting sun. This sunlight kissing the tops of these trees lasted only five minutes. 1/80 @ f9, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457461704751-1CISP10EOPJ20LPVCR8N/image-asset.jpeg BLOG - PHOTOGRAPHING IN THE GREAT SMOKIES - FINAL DAY Once again it pays to turn around from the setting sun. This sunlight kissing the tops of these trees lasted only five minutes. 1/80 @ f9, ISO 200. https://www.jfwphoto.com/blog/fwphoto.com/2015/03/photographing-in-great-smokies-day-two.html monthly 0.5 2016-04-02 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459564885666-YQ6L10WQMVHY2YAG7596/image-asset.jpeg BLOG - PHOTOGRAPHING IN THE GREAT SMOKIES - DAY TWO Low clouds backlit by the rising sun. 1/50 @f22, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459565026269-MU9A42CKM5PLC0W5S0HX/image-asset.jpeg BLOG - PHOTOGRAPHING IN THE GREAT SMOKIES - DAY TWO Switched to the 24-70mm with a Cokin split neutral density filter just as the sun rose above the clouds. You can see how the clouds just stuck to the top of the mountains. 1/60 @ f22, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459565087810-1EH0CZF3NNI26T2I5RCE/image-asset.jpeg BLOG - PHOTOGRAPHING IN THE GREAT SMOKIES - DAY TWO Once the sun rose above the clouds I turned around and was treated to some wonderful light. 1/40 @ f22, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459565162089-JPBNNCVN3B4Q6LSCFKTZ/image-asset.jpeg BLOG - PHOTOGRAPHING IN THE GREAT SMOKIES - DAY TWO I moved to higher ground in order to capture this photo of a male whitetail deer. Thinking ahead in order to place yourself in the right spot is key to getting the photograph you envision. 1/800 @ f7.1, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459565221415-P7XS3YZBW93BASM8KJN2/image-asset.jpeg BLOG - PHOTOGRAPHING IN THE GREAT SMOKIES - DAY TWO Sometimes it's about the details. With locations like Cades Cove, the tendency is to focus only on the vistas, but sometimes a photo like this tells the story of melting snow. 1/640 @ f2.8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459565331423-WUBYRJK9X69HJ0I1SGMT/image-asset.jpeg BLOG - PHOTOGRAPHING IN THE GREAT SMOKIES - DAY TWO Just short of the Newfound Gap summit, the clouds were already rolling in and provided just the right amount of softness you see in this photograph. 1/800 @ f7.1, ISO 200, Exp. Comp. +1 https://www.jfwphoto.com/blog/fwphoto.com/2015/03/photographing-great-smokies-day-one.html monthly 0.5 2015-07-04 https://www.jfwphoto.com/blog/fwphoto.com/2015/02/photographing-great-smokies-plan-and.html monthly 0.5 2016-04-02 https://www.jfwphoto.com/blog/fwphoto.com/2015/02/are-film-simulation-presets-for-you.html monthly 0.5 2015-07-04 https://www.jfwphoto.com/blog/fwphoto.com/2014/10/making-time-for-northern-lights.html monthly 0.5 2017-12-18 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445162777315-RY36SCJMD4UXW6BB1TF9/image-asset.jpeg BLOG - MAKING TIME TO PHOTOGRAPH THE NORTHERN LIGHTS A slightly longer shutter speed allowed additional colors to appear. 1/8 @ f2.8, ISO 3200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445162878257-NH9QZ4LXH9K5SC8FG46L/image-asset.jpeg BLOG - MAKING TIME TO PHOTOGRAPH THE NORTHERN LIGHTS The intensity of light was constantly changing which meant I had to keep adjusting shutter speed. 1/2 @ f2.8, ISO 3200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445163022888-A8QKDA88CS0O831JZ3OA/image-asset.jpeg BLOG - MAKING TIME TO PHOTOGRAPH THE NORTHERN LIGHTS I did not realize that I had captured a faint glow of the Northern Lights on the second night until I downloaded and post processed my photos. 1/13 @f2.8, ISO 1600. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445163072758-47NSLFPDR8EP8G9GR8Q0/image-asset.jpeg BLOG - MAKING TIME TO PHOTOGRAPH THE NORTHERN LIGHTS Even shooting vertical at 24mm I was not able to capture everything I was seeing. 1/5 @ f 2.8, ISO 1600. https://www.jfwphoto.com/blog/fwphoto.com/2014/09/what-are-you-waiting-for.html monthly 0.5 2015-03-13 https://www.jfwphoto.com/blog/fwphoto.com/2014/08/does-it-ever-become-easy.html monthly 0.5 2015-07-28 https://www.jfwphoto.com/blog/fwphoto.com/2014/07/early-digital-cameras-and-publishing.html monthly 0.5 2015-07-28 https://www.jfwphoto.com/blog/fwphoto.com/2014/06/seven-days-with-fuji-x-pro1.html monthly 0.5 2016-03-04 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364594478-B4DIS86N9VCBIF8MMG59/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-PRO1 The Fuji XF35mm (53mm equivalent), F1.4 lens did a great job. 1/1000, f2.8 at ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364636732-9JF6NFO02W4VI3LUKIF4/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-PRO1 A little bit of rain didn't bother the X-Pro1, but did offer some nice scenes to photograph. When shooting on the streets in large cities, I find crosswalks and street corners offer plenty of opportunities. 1/125, f5.6 at ISO 640. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364689841-V4OJHNI2GC7EYNPBDZED/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-PRO1 In street photography, you have to always be ready to shoot. In this case I noticed the Fleet Week sign and the man loading kegs as I walked by. I quickly turned and got off about a dozen frames before I moved on. 1/125, f5.6 at ISO 500. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364748441-DQ27XOKZS871LY3DE31R/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-PRO1 I was still able to get that wide angle feel I'm used to with the X100S even though the XF 35mm is a 53mm equivalent lens. 1/1200, f5.6 at ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364805668-HB90AV8LM4Q1K5LWF8PU/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-PRO1 Using Auto ISO meant that I could shoot all day in and out of the shadows and then well into the night without thinking about it. 1/125, f1.4 at ISO 2500 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364865286-0RWZJYNRF3QWIO21G3LL/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-PRO1 New York City and Times Square is a busy and crowed place. The small form factor of the X-Pro1 is perfect in these situations and most people hardly notice you taking photos. A real advantage in street photography. 1/125, f2.0 at ISO 320. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364920421-9EXUNS0PE9OD940EFLK0/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-PRO1 I used continuous shooting (burst mode) set to six frames per second (max for this camera) to capture this photo in Coney Island. 1/300, f11 at ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445364988732-M86ZOSVI9ZIVR5VAU74R/image-asset.jpeg BLOG - SEVEN DAYS WITH THE FUJI X-PRO1 In street photography, scenes like this happen quickly and having the camera awake and ready to shoot is key. 1/125, f1.4 at ISO 2500. https://www.jfwphoto.com/blog/fwphoto.com/2014/05/being-there-and-also-over-there.html monthly 0.5 2015-07-28 https://www.jfwphoto.com/blog/fwphoto.com/2014/05/getting-high-on-photography.html monthly 0.5 2015-07-28 https://www.jfwphoto.com/blog/fwphoto.com/2014/04/keep-it-clean-please.html monthly 0.5 2014-04-07 https://www.jfwphoto.com/blog/fwphoto.com/2014/03/beyond-rule-of-thirds-thoughts-on.html monthly 0.5 2018-06-13 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1528901946393-0EQ05PGGWSOZZWFDBB4R/lincoln+memoria.jpg BLOG - BEYOND THE RULE OF THIRDS - THOUGHTS ON COMPOSITION Composition wise, this photograph taken at the Lincoln Memorial sums up this blog post in one photograph. Fujifilm X100S, 1/30 @ f8, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1528901909516-8UJQ90UD2ON1S1CCSIH4/metro+stop.jpg BLOG - BEYOND THE RULE OF THIRDS - THOUGHTS ON COMPOSITION Think three-dimensionally. In this photograph of passengers entering the Foggy Bottom metro I used the rule of thirds to both place the subjects in upper right and the three diagonal lines of the escalators to draw you in to the frame. Fujifilm X100S, 1/250 @ f8, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1528901880383-Q9PLGN7KCGG63LIQXIW4/claredon.jpg BLOG - BEYOND THE RULE OF THIRDS - THOUGHTS ON COMPOSITION Rule of thirds across and into the photograph is what makes this photograph of the St. Charles Borromeo Catholic Church in Arlington, Va., so appealing to me. Fujifilm X100S, 1/950 @ f11, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1528905089412-8QONG530FM7D7Q7P4S7I/download.png BLOG - BEYOND THE RULE OF THIRDS - THOUGHTS ON COMPOSITION * The rule of thirds is a concept in which a photographic frame is divided in nine imaginary sections creating points where those lines intersect. Placing a subject at one of those points, essentially off center, generally makes for a more pleasing image. https://www.jfwphoto.com/blog/fwphoto.com/2014/02/5-tips-to-get-you-out-shooting.html monthly 0.5 2015-12-28 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1451312818769-ZYYXW7PC2AHKWFJD3Q3J/image-asset.jpeg BLOG - 5 TIPS TO GET YOU OUT TAKING PHOTOGRAPHS This sun flare photo was featured on Flickr's blog as part of a Flickr Friday project and now is one of my most popular photographs on the service with over 2,000 views and favorited 47 times. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1451313046580-XEXL6M8CARTC0GNE2KI4/image-asset.jpeg BLOG - 5 TIPS TO GET YOU OUT TAKING PHOTOGRAPHS I was looking for a reason to get out of the house, so I headed to Glen Echo Park in Maryland, a location I've been wanting to photograph for some time. Once there I decided my theme would be the Victorian architecture and while I don't think I captured any particularly compelling images, I know it is a location I will return to again. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1451313646018-TCY8E80EE7A163IOHYME/image-asset.jpeg BLOG - 5 TIPS TO GET YOU OUT TAKING PHOTOGRAPHS Photograph taken with my cell phone at the U.S. Postal Museum in Washington, D.C. as part of an Instagram Hashtag Project. #WHPsentbymail. I don't have a big presence on Instagram, but this photo drew eight likes and I picked up followers. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1451313751336-608FNAMSUAA0ZX74TPTX/image-asset.jpeg BLOG - 5 TIPS TO GET YOU OUT TAKING PHOTOGRAPHS I find myself returning often to Rosslyn in Arlington, Va., where i'm drawn by the shadows, shapes and architecture. This photo was taken during the 2013 Scott Kelby Worldwide Photo Walk I led and subsequently was featured on Ibaroinex Perello's YouTube channel on finding the extraordinary in the ordinary . https://www.jfwphoto.com/blog/fwphoto.com/2014/02/decisions-decisions-well-you-get-point.html monthly 0.5 2014-02-12 https://www.jfwphoto.com/blog/fwphoto.com/2014/01/instagram-its-hip-to-be-square.html monthly 0.5 2014-01-30 https://www.jfwphoto.com/blog/fwphoto.com/2014/01/heading-out-in-storm.html monthly 0.5 2015-07-28 https://www.jfwphoto.com/blog/fwphoto.com/2014/01/new-years-day-photo-fail.html monthly 0.5 2014-01-08 https://www.jfwphoto.com/blog/fwphoto.com/2013/12/as-scene-from-train-five-tips-for.html monthly 0.5 2018-01-23 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1516723271920-TK1HI12Y58HEWHMETJV3/train+photo+1.jpg BLOG - AS SCENE FROM A TRAIN - FIVE TIPS FOR BETTER PHOTOGRAPHS Photographing an urban scene like this one as the train left Central Station in Montreal offers a different viewpoint of the city. Fujifilm X100S, 1/200 @ f5.6, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1516723365133-XZ7V80LMF59Q3ATK1CZB/train+photo+2.jpg BLOG - AS SCENE FROM A TRAIN - FIVE TIPS FOR BETTER PHOTOGRAPHS Taking advantage of the stopped train while waiting to cross the border from Canada into the United States allowed me some extra time to compose this shot which would have been difficult with the train moving due to the strong back light. Fujifilm X100S, 1/950 @ f5.6, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1516723441070-6BUE6KN16UYTCJYYUK17/train+photo+3.jpg BLOG - AS SCENE FROM A TRAIN - FIVE TIPS FOR BETTER PHOTOGRAPHS Notice how the foreground is a blurred. I still think it adds some interest. Fujifilm X100S, 1/500 @ f5.6, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1516723581150-BVETD3N6GSNG44JKTJEW/train+photo+4.jpg BLOG - AS SCENE FROM A TRAIN - FIVE TIPS FOR BETTER PHOTOGRAPHS I selected the left side of the Amtrak Adirondack train from New York to Montreal because I knew the Hudson River would be out my window during most of the trip. The ice was a bonus. Fujifilm X100S, 1/1250 @ f2.8, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1516723662771-WSQWGXTD0BC8WE67WZWM/train+photo+5.jpg BLOG - AS SCENE FROM A TRAIN - FIVE TIPS FOR BETTER PHOTOGRAPHS Downtown Albany, New York, as the sun goes down. I like the empty parking lot and elevated shooting position. A view that would be difficult if not for riding on the train. Fujifilm X100S, 1/1250 @ f2.8, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1516723722184-7GJIVNISQI3448GP5YDJ/train+photo+6.jpg BLOG - AS SCENE FROM A TRAIN - FIVE TIPS FOR BETTER PHOTOGRAPHS Photographing the backside of the city. The slightly burred train structure at the right adds just enough context to let the viewer know that this photo is taken from a train. I like the industrial look and hints of color in this image. It can be hard to frame a shot while the train is traveling at 60 m.p.h. so take plenty of shots. Fujifilm X100S, 1/160 @ f5.6, ISO 200. https://www.jfwphoto.com/blog/fwphoto.com/2013/12/gear-stocking-stuffer-version.html monthly 0.5 2015-03-13 https://www.jfwphoto.com/blog/fwphoto.com/2013/12/memorial-day.html monthly 0.5 2015-03-13 https://www.jfwphoto.com/blog/fwphoto.com/2013/11/when-opportunity-knocks-shoot.html monthly 0.5 2013-11-15 https://www.jfwphoto.com/blog/fwphoto.com/2013/11/breaking-aa-battery-cycle.html monthly 0.5 2013-11-14 https://www.jfwphoto.com/blog/fwphoto.com/2013/11/is-that-leica.html monthly 0.5 2016-11-24 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445365425360-WCI2YQNNI5YWEXHBRZNL/image-asset.jpeg BLOG - IS THAT A LEICA? My Fujifilm X100S complete with gaffers tape. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445365564460-U3XOGQP08461BJ00XXU5/image-asset.jpeg BLOG - IS THAT A LEICA? Steam Whistle Brewery in Toronto, Canada. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445366520042-J0644GPO3IPV0NU1XLYD/image-asset.jpeg BLOG - IS THAT A LEICA? Heron Marsh Trail in the Adirondacks, New York. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445365694364-NQTMIE2622LHK3UXF2DY/image-asset.jpeg BLOG - IS THAT A LEICA? Red scooter and sign in Brussels, Belgium. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445366445215-0T1EMWX28RFPHGEXR9T1/image-asset.jpeg BLOG - IS THAT A LEICA? Randy's Donuts in Inglewood, Calif., near Los Angeles International Airport. https://www.jfwphoto.com/blog/fwphoto.com/2013/10/taking-fuji-x100s-to-street.html monthly 0.5 2015-10-13 https://www.jfwphoto.com/blog/fwphoto.com/2013/10/worldwide-photo-walk-wrap-up.html monthly 0.5 2013-10-09 https://www.jfwphoto.com/blog/fwphoto.com/2013/09/sunrise-sunset-so-what.html monthly 0.5 2015-03-13 https://www.jfwphoto.com/blog/fwphoto.com/2013/09/chasing-light.html monthly 0.5 2015-07-28 https://www.jfwphoto.com/blog/fwphoto.com/2013/08/fuji-x100s-and-landscapes-perfect.html monthly 0.5 2016-03-29 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459213077350-AYBGX740CFF7F6IKKB3H/image-asset.jpeg BLOG - FUJI X100S AND LANDSCAPES - PERFECT TOGETHER Even when viewing the results on the back of the camera I knew that the Fuji X100S was capturing the landscape as I was seeing it. 1/1000 @ f8, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459213217623-2TA4CI8FF99739C1QG0G/image-asset.jpeg BLOG - FUJI X100S AND LANDSCAPES - PERFECT TOGETHER This camera excels in black and white mode. I have added a custom setting for black and white so that I can quickly transition when the mood strikes me. 1/550 @ f8, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459213327492-T4TVWUNQN5EBJ3JWYP7Y/image-asset.jpeg BLOG - FUJI X100S AND LANDSCAPES - PERFECT TOGETHER Rocky Falls is a two-mile hike from the Adirondack Loj. Hand holding the X100S was easy even with a slow shutter speed in order to add motion to the waterfalls. 1/25 @ f16, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459213420176-XH9FZDBUMIB5C5WFOP6C/image-asset.jpeg BLOG - FUJI X100S AND LANDSCAPES - PERFECT TOGETHER Panoramic view of Heron Marsh located at the Paul Smith's College Visitor Interpretive Center. I'm sure this would be spectacular with early morning or late afternoon light, but the X100S did just fine at noon. 1/850 @ f8, ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459213550339-DR6MA137XDR88CJOJH6J/image-asset.jpeg BLOG - FUJI X100S AND LANDSCAPES - PERFECT TOGETHER The early evening light highlights swimmers at the public beach on Lake Mirror located in Lake Placid, N.Y. 1/300 @ f8, ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459213629837-Y0TUGOG93YGYZNILFOD7/image-asset.jpeg BLOG - FUJI X100S AND LANDSCAPES - PERFECT TOGETHER Lake Placid, N.Y. 1/1100 @ f8, ISO 200. https://www.jfwphoto.com/blog/fwphoto.com/2013/07/family-photographs.html monthly 0.5 2013-07-17 https://www.jfwphoto.com/blog/fwphoto.com/2013/06/hipshots.html monthly 0.5 2014-01-19 https://www.jfwphoto.com/blog/fwphoto.com/2013/06/my-photos-appeared-where.html monthly 0.5 2013-08-27 https://www.jfwphoto.com/blog/fwphoto.com/2013/06/ten-days-with-fuji-x100s.html monthly 0.5 2016-03-10 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457617490222-6WL5KMWU1WDPU7HQZ20X/image-asset.jpeg BLOG - TEN DAYS WITH THE FUJI X100S A CF-104 Starfighter on display at the Canadian Warplane Heritage Museum in Hamilton, Ontario, shot at 1/1200, f8 at ISO 200 with 3-stop ND filter. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457617702891-F362LGACUGBT80QA3BYH/Toronto-477.jpg BLOG - TEN DAYS WITH THE FUJI X100S Toronto, Ontario, skyline shot at 1/220, f16 at ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457617894895-24VIMDJ2RQH4S1NVRU13/image-asset.jpeg BLOG - TEN DAYS WITH THE FUJI X100S The "Bill Burton Fishing Pier" at Fort Smallwood Park in Maryland shot at 1/600, f8 at ISO 400. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457617958598-UH1QXVP2RCSAJQ3DCHZM/image-asset.jpeg BLOG - TEN DAYS WITH THE FUJI X100S Storm approaching small marina in Toronto shot at 1/1250, f2.8 at ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457618034023-Z5JZ0RZNBLVBRQNG8YHM/image-asset.jpeg BLOG - TEN DAYS WITH THE FUJI X100S Entrance to the Royal Ontario Museum shot at 1/10, f5.6 at ISO 800. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457618102617-RJUEYZZKRBFVFD8TRWI8/image-asset.jpeg BLOG - TEN DAYS WITH THE FUJI X100S Gerrard Street East in Toronto, Ontario, shot at 1/40, f4 at ISO 1600. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457618924705-WNO7NZ6HPB1IHR37GJSC/image-asset.jpeg BLOG - TEN DAYS WITH THE FUJI X100S Annapolis wedding party on the Maryland State Capitol steps shot at 1/2500, f5.6 at ISO 400, -1.33 EV. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457618174810-WVWIQRO6OGJZ799F9G1O/image-asset.jpeg BLOG - TEN DAYS WITH THE FUJI X100S 1/1250, f2.8 at ISO 800, -1.67 EV. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457618239155-ARJ4WVTM3OWCDNFTN6UD/image-asset.jpeg BLOG - TEN DAYS WITH THE FUJI X100S Quick portrait taken in a stairwell of the Marriott shot at 1/70, f5.6 at ISO 200. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457618615642-SRYAZABPLLESOQZIBZDG/tools.jpg BLOG - TEN DAYS WITH THE FUJI X100S My late Grandfather's Snap-on socket set shot at 1/25, f4.5 at ISO 200, macro setting. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457618746624-FJ0VL91CW7IIO94RBNAM/image-asset.jpeg BLOG - TEN DAYS WITH THE FUJI X100S Charles W. Roesch, better known as Charlie the Butcher, at his restaurant in Williamsville, N.Y., shot at 1/50, f2.8 at ISO 800. https://www.jfwphoto.com/blog/fwphoto.com/2013/05/inspiration-vs-intimidation.html monthly 0.5 2013-07-09 https://www.jfwphoto.com/blog/fwphoto.com/2013/05/worldwide-pinhole-photography-day.html monthly 0.5 2016-05-02 https://www.jfwphoto.com/blog/fwphoto.com/2013/05/time-for-upgrade-fuji-x10-or-x100s.html monthly 0.5 2016-03-10 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457621059741-WTHCJ3404XE77WZ795JX/image-asset.jpeg BLOG - TIME FOR AN UPGRADE? FUJI X10 OR X100S https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457619750043-ROXZWNSVOOMJEY3GDAZ7/image-asset.jpeg BLOG - TIME FOR AN UPGRADE? FUJI X10 OR X100S Fuji X100S. Photo provided by Fujifilm.com https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457620383684-VY8PPIXXHHBJ055CRSBW/image-asset.jpeg BLOG - TIME FOR AN UPGRADE? FUJI X10 OR X100S Fuji X10 at 1/80, f3.6, ISO 400, 40mm equivalent, film simulation set to Velvia. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457620300509-AIUJR8L49F81YW7Q7DM6/image-asset.jpeg BLOG - TIME FOR AN UPGRADE? FUJI X10 OR X100S Fuji X10 at 1/13, f2.8, ISO 400, 112mm equivalent, film simulation set to black and white. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457620192693-XD07ZH58J710YMLCHO9I/image-asset.jpeg BLOG - TIME FOR AN UPGRADE? FUJI X10 OR X100S Fuji X10 at 1/25, f2.8, ISO 400, 60mm equivalent, film simulation set to standard. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1457620334127-GPBZRDLIUKGHUEKWUOA1/image-asset.jpeg BLOG - TIME FOR AN UPGRADE? FUJI X10 OR X100S Fuji X10 at 1/10, f2.8, ISO 400, 100mm equivalent, film simulation set to black and white. https://www.jfwphoto.com/blog/fwphoto.com/2013/04/just-books-on-shelf.html monthly 0.5 2015-03-13 https://www.jfwphoto.com/blog/fwphoto.com/2013/04/a-pinhole-of-pinhole.html monthly 0.5 2015-10-13 https://www.jfwphoto.com/blog/fwphoto.com/2013/03/star-gazing.html monthly 0.5 2016-11-24 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445163720295-XQFH96LYAOKNP1R689T8/image-asset.jpeg BLOG - STAR GAZING - PHOTOGRAPHY TIPS AT NIGHT Monument Valley at 3 am. Camera settings: ISO 2000, 20 sec., f 2.8. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445163800454-EWQRE7Q9KBL3D273RIM6/image-asset.jpeg BLOG - STAR GAZING - PHOTOGRAPHY TIPS AT NIGHT Horseshoe Bend at 5 am. Camera settings: ISO 1600, 20 sec., f 3.5. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445163878834-MCHS8176SPSBQDDASHJM/image-asset.jpeg BLOG - STAR GAZING - PHOTOGRAPHY TIPS AT NIGHT Even though it appeared very dark, lights from a far-off town became visible on the horizon during the long exposure. Camera Settings: ISO 3200, 30 sec., f 2.8. https://www.jfwphoto.com/blog/fwphoto.com/2013/03/deja-vu-coverage.html monthly 0.5 2015-03-13 https://www.jfwphoto.com/blog/fwphoto.com/2013/02/lightroom-blurb-perfect-together.html monthly 0.5 2013-03-01 https://www.jfwphoto.com/blog/fwphoto.com/2013/02/historical-ass.html monthly 0.5 2013-11-17 https://www.jfwphoto.com/blog/fwphoto.com/2013/02/5-photo-tips-for-antelope-canyon.html monthly 0.5 2015-10-18 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444850583442-3K5VQC103L4QNBEPORXL/image-asset.jpeg BLOG - 5 PHOTO TIPS FOR SHOOTING ANTELOPE CANYON The entrance to Upper Antelope Canyon. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444850669754-33TND37SAURG4N41Y33L/image-asset.jpeg BLOG - 5 PHOTO TIPS FOR SHOOTING ANTELOPE CANYON Photographed with a 10.5mm lens and corrected in Adobe Lightroom 4. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444850773175-NK082VCP40TT7NXEK9I1/image-asset.jpeg BLOG - 5 PHOTO TIPS FOR SHOOTING ANTELOPE CANYON My guide tosses a handful of sand onto a ledge creating a nice visual effect as it then "flows" over the edge. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444850931489-R2LBV3ZZWQT2PWQ8JU4B/image-asset.jpeg BLOG - 5 PHOTO TIPS FOR SHOOTING ANTELOPE CANYON Detail pointed out by the guide is only seen by looking straight up. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444850997659-NJQK6Z1SVCDY2PWQYJGR/image-asset.jpeg BLOG - 5 PHOTO TIPS FOR SHOOTING ANTELOPE CANYON Having the right equipment, including a tripod and remote shutter release, are essential. https://www.jfwphoto.com/blog/fwphoto.com/2013/01/copyright-tutorial.html monthly 0.5 2015-07-28 https://www.jfwphoto.com/blog/fwphoto.com/2013/01/three-inexpensive-accessories-to.html monthly 0.5 2015-07-28 https://www.jfwphoto.com/blog/fwphoto.com/2013/01/find-loupe-new-year-with-old-negs.html monthly 0.5 2015-03-13 https://www.jfwphoto.com/blog/fwphoto.com/2012/12/arizona-final-day.html monthly 0.5 2013-04-21 https://www.jfwphoto.com/blog/fwphoto.com/2012/12/arizona-day-three.html monthly 0.5 2013-04-21 https://www.jfwphoto.com/blog/fwphoto.com/2012/12/arizona-day-two.html monthly 0.5 2013-02-01 https://www.jfwphoto.com/blog/fwphoto.com/2012/12/arizona-day-one.html monthly 0.5 2015-02-24 https://www.jfwphoto.com/blog/fwphoto.com/2012/12/arizona-gear.html monthly 0.5 2013-03-21 https://www.jfwphoto.com/blog/fwphoto.com/2012/12/arizona-bound.html monthly 0.5 2012-12-07 https://www.jfwphoto.com/blog/fwphoto.com/2012/11/introducing-my-fuji-x10.html monthly 0.5 2015-10-13 https://www.jfwphoto.com/blog/fwphoto.com/2012/11/watermarks.html monthly 0.5 2015-03-13 https://www.jfwphoto.com/blog/fwphoto.com/2012/11/world-wide-photo-walk-redux.html monthly 0.5 2012-12-19 https://www.jfwphoto.com/blog/fwphoto.com/2012/10/up-your-trade-show-experience.html monthly 0.5 2015-10-25 https://www.jfwphoto.com/blog/fwphoto.com/2012/10/caught-on-tape.html monthly 0.5 2015-07-28 https://www.jfwphoto.com/blog/fwphoto.com/2012/10/photography-is-pain.html monthly 0.5 2012-10-19 https://www.jfwphoto.com/blog/fwphoto.com/2012/10/world-wide-photo-walk.html monthly 0.5 2012-11-07 https://www.jfwphoto.com/blog/fwphoto.com/2012/09/5-tips-for-big-group-portraits.html monthly 0.5 2015-10-14 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444851288165-8E53N68N4O5PAFVTNNRI/image-asset.jpeg BLOG - 5 TIPS FOR TAKING BIG GROUP PORTRAITS 120 person group photo with limited time. Nikon D3s with SB900 (camera left) and SB800 (camera right), both controlled with an Nikon SU800 and processed in Lightroom 4. https://www.jfwphoto.com/blog/fwphoto.com/2012/09/do-you-need-to-travel.html monthly 0.5 2015-03-13 https://www.jfwphoto.com/blog/fwphoto.com/2012/08/camera-obscura.html monthly 0.5 2015-10-13 https://www.jfwphoto.com/blog/fwphoto.com/2012/08/going-even-lighter-follow-up.html monthly 0.5 2013-04-20 https://www.jfwphoto.com/blog/fwphoto.com/2012/08/going-lighter.html monthly 0.5 2013-04-20 https://www.jfwphoto.com/blog/fwphoto.com/2012/07/coverage-360.html monthly 0.5 2012-12-09 https://www.jfwphoto.com/blog/fwphoto.com/2012/07/producing.html monthly 0.5 2012-07-27 https://www.jfwphoto.com/blog/fwphoto.com/2012/06/being-pushed-creatively.html monthly 0.5 2013-05-12 https://www.jfwphoto.com/blog/fwphoto.com/2012/05/photos-left-unpublished.html monthly 0.5 2012-07-22 https://www.jfwphoto.com/blog/fwphoto.com/2012/05/previsualization.html monthly 0.5 2015-03-13 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https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1509393610172-5W6KMBB7D8R4I7EOQN7X/SmokyMountains+%285+of+2%29.jpg LANDSCAPE Great Smoky Mountains National Park https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1455813165455-4B8AUFUBM1QWGQS33AWZ/landscape-4.jpg LANDSCAPE Muir Woods, California https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1437927962376-CGG83YSYE4WDTOVPIX9H/landscape-18.jpg LANDSCAPE Muir Woods, California https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1436997567263-P994CXOXSENRJ1DXT9KH/landscape-5.jpg LANDSCAPE Fairbanks, Alaska https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1440088352692-BVUDNEA0L46X35VQU6V1/AuroraBorealis-6.jpg LANDSCAPE Fairbanks, Alaska https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462987461327-FPPFKUIU7SX4HWY8H6ID/Goldenlight.jpg LANDSCAPE Smoky Mountain National Park https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1476997218912-57Y6E3CU7JQ996DZ4AXO/eileandonan-1.jpg LANDSCAPE Eilean Donan Castle, Scotland https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462478003295-6YO08VPEP0RJKFIIFV4G/OregonStacks-1.jpg LANDSCAPE Cannon Beach, Oregon https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1462984472207-7C2F3OQEK541U8AAC21P/raindrops.jpg LANDSCAPE Smoky Mountain National Park https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1525724590038-75C1MGPLH747PV9CSMX2/CherryBlossoms-3.jpg LANDSCAPE Washington, D.C. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1505637816067-1J4M8YETN87DNGZ83ZIS/Greenland-1.jpg LANDSCAPE Wolstenholme Fjord, Greenland https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480258437487-8CH4K5F9CJJKF5O4PRZ0/JoshuaTree-2.jpg LANDSCAPE Joshua Tree National Park https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445883203036-Y9Y6YD6TE2AYC7MLBHCH/planets.jpg LANDSCAPE Shenandoah National Park https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1476997603980-SJ10JOS44HCQSR3VV65A/AvalancheLake-1.jpg LANDSCAPE Avalanche Lake, Adirondacks https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1436997562281-VYGU7X71CJXVLV53JZEJ/landscape-6.jpg LANDSCAPE Oahu, Hawaii https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1505637816722-D9SH10CA2DF6VW8LVB9X/Greenland-2.jpg LANDSCAPE Wolstenholme Fjord, Greenland https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444915478599-CEFK178PGLKVG8WS81J0/CadesCove.jpg LANDSCAPE Smoky Mountain National Park https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1437165840801-GXMX11IU2U740GAU18UB/landscape16.jpg LANDSCAPE Smoky Mountain National Park https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1446646529838-I2UM1AJLW3V9TORFVFLW/ClingmansDome-1.jpg LANDSCAPE Smoky Mountain National Park https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480258427273-ARDIU16DM4M1O9NLHOD5/JoshuaTree-4.jpg LANDSCAPE Joshua Tree National Park https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480258453058-7NOCCK9KJSHCESCH5FJ0/JoshuaTree-6.jpg LANDSCAPE Joshua Tree National Park https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1444914953267-42DEE0X8FH4PIQASV5A5/Tsin.jpg LANDSCAPE Monument Valley https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1437077381709-YG0BUMMU8ZHLO4JLLMPW/landscape-15.jpg LANDSCAPE Monument Valley https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1439045783630-X7LO2SCD5OO0M3CJTXK8/landscape-19.jpg LANDSCAPE Lexington, Kentucky https://www.jfwphoto.com/home daily 1.0 2026-03-10 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1505637625612-MPAAVECETY5ATWH3X54G/Greenland-3.jpg HOME https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1459190466976-K5B83VAKWEZTX7R1ITW4/Waikiki-2.jpg HOME https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1516884533612-YUYVS3F25IB1HIDX73EI/37110863865_3b94d1c1f1_o.jpg HOME https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1570736486908-H2OQ1OJ88QU9TZ2HKBV6/Adirondacks.jpg HOME https://www.jfwphoto.com/corporate daily 0.75 2018-12-03 https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1436907654619-VBDR6814CXEK7OF2DTF3/industrial-3.jpg CORPORATE WEST BETHESDA, Md. - A ship hull model attached to a high-speed sled moves through waves at the David Taylor Model Basin at Naval Surface Warfare Center, Carderock, during Office of Naval Research -sponsored research. The research studies the fundamental physics of the water-impact of high-speed planing hulls and to measure the slamming loads and resulting motions of the craft upon re-entry into the water. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1461071911926-F8FC2VCPKBUBUQN2D3G4/SeaHunter.jpg CORPORATE PORTLAND, Oregon - Sea Hunter, an entirely new class of unmanned ocean-going vessel gets underway on the Williammette River following a christening ceremony in Portland, Oregon. Part the of the Defense Advanced Research Projects Agency (DARPA)'s Anti-Submarine Warfare Continuous Trail Unmanned Vessel (ACTUV) program, in conjunction with the Office of Naval Research (ONR), is working to fully test the capabilities of the vessel and several innovative payloads, with the goal of transitioning the technology to Navy operational use once fully proven. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1438882663514-F04JSXIQ3ONBREWA4PP0/X-Craft.jpg CORPORATE SAN DIEGO, Calif. - The U.S. Navy's Littoral Surface Craft-Experimental (X-Craft), developed by the Office of Naval Research and christened Sea Fighter (FSF-1), arrives at her new homeport of San Diego, Calif. This high-speed aluminum catamaran will test a variety of technologies that will allow the Navy to operate in littoral waters. With a base crew of 26, Sea Fighter will also provide a platform for the evaluation of minimum manning concepts on future naval surface ships. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1436997729412-MD6SCLOYKZHJZ6FOX7LB/industrial-7.jpg CORPORATE CARSON CITY, Nev. - The combat tactical vehicle technology demonstrator (CTV-TD) is undergoing automotive testing at the Nevada Automotive test Center (NATC) in Carson City. Built under contract for the Office of Naval Research, the CTV-TD is a test bed for the joint light tactical vehicle family of vehicles. The CTV-TD offers several advantages and new technologies, including adjustable ride height, central tire inflation system, an integral rollover protection system and improved survivability over the current Humvee. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1445888803343-IN0BK1YGR40Q17ZNAMYG/141117-N-PO203-072.jpg CORPORATE ARABIAN GULF - The Office of Naval Research (ONR)-sponsored Laser Weapon System (LaWS) performs an operational demonstration aboard the Afloat Forward Staging Base (Interim) USS Ponce (ASB(I) 15) while deployed to the Arabian Gulf. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1447345817897-0IYE1AAMMIUD8P1ZE1UN/100318-N-7676W-029.jpg CORPORATE NORFOLK, Va. - The Large Vessel Interface Lift-on/Lift-off (LVI Lo/Lo) crane, funded by the Office of Naval Research, demonstrates container transfers pier side using a roll simulator aboard the Military Sealift Command auxiliary crane ship USNS Flickertail State (T-ACS-5) at Naval Station Norfolk. The LVI Lo/Lo crane enables the rapid and safe transfer of standard ISO containers and other heavy loads at sea. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1438883055014-Z9GOLPWKDY94TU9FSUS0/101210-N-7676W-099.jpg CORPORATE DAHLGREN, Va. - The Office of Naval Research Electromagnetic Railgun located at the Naval Surface Warfare Center Dahlgren Division, fired a world-record setting 33 megajoule shot, breaking the previous record established January, 31, 2008. The railgun is a long-range, high-energy gun launch system that uses electricity rather than gunpowder or rocket motors to launch projectiles. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1437075893443-AYE3F5SBHV4OE256RY7W/commercial-1.jpg CORPORATE KODIAK, Alaska - The Office of Naval Research-sponsored tactical satellite IV (TacSat-4) lifts-off from the Alaskan Aerospace Corporation's Kodiak Launch Complex aboard a Minotaur IV+ launch vehicle. Built by the Naval Research Laboratory and Johns Hopkins University Applied Physics Laboratory, TacSat-4 will allow troops using existing radios to communicate on-the-move and from obscure regions. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1507467388165-9G5ABGHP8OCR2E0Z21YN/37110863865_3b94d1c1f1_o.jpg CORPORATE ARCTIC OCEAN - An Air-Deployable Expendable Ice Buoy (AXIB) is deployed in the high Arctic near the North Pole from a Royal Danish Air Force C-130 aircraft operating out of Thule Air Force Base in Greenland, as part of the International Arctic Buoy Program (IABP). The IABP is a conglomeration of global participants that maintain a network of drifting buoys in the Arctic Ocean that provide meteorological and oceanographic data for real-time operational requirements and research purposes. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1528888729350-4JZE56XG69KH9WZBFD1V/LocustComposite.jpg CORPORATE GULF OF MEXICO - A composite photograph shows Coyote unmanned air vehicles (UAVs) being launched in rapid succession from the deck of Sea Fighter (FSF 1) during an at-sea demonstration of the Office of Naval Research Low-cost UAV Swarming Technology (LOCUST) program. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1438883851746-WT0R826G8NT7XQ3RTFJS/commercial-5.jpg CORPORATE PACIFIC OCEAN - Only 55 feet remain visible after the crew partially floods the Floating Instrument Platform, or FLIP's, ballast tanks causing the vessel to turn stern first into the ocean. The 355-foot research vessel, owned by the Office of Naval Research and operated by the Marine Physical Laboratory at Scripps Institution of Oceanography at University of California, conducts investigations in a number of fields, including acoustics, oceanography, meteorology and marine mammal observation. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1440005035407-3Y2PM1GL1X2YYAG4F2AZ/commericail-6.jpg CORPORATE PATUXENT RIVER, Md. - Karl Carkhuff, a civilian contractor with Integrated Systems Solutions, Inc., assists with mooring the Navy's MZ-3A manned airship following operations conducted at Patuxent River, Md. The MZ-3A, assigned to the Naval Research Laboratory Military Support Division's Scientific Development Squadron One (VXS-1), is an advanced flying laboratory used to evaluate affordable sensor payloads and provide support for other related science and technology projects for the Naval Research Enterprise. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1440083109583-ZKHOBO4BSCS54HJSC9J7/140814-N-PO203-1020.jpg CORPORATE NEWPORT NEWS, Va. - An unmanned seven meter rigid hulled inflatable boat (RHIB) operates autonomously during an Office of Naval Research (ONR)-sponsored demonstration of swarmboat technology held on the James River in Newport News, Va. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1463079126388-E7SH14KVFRP0OU2GNZEV/RoboLobster.jpg CORPORATE NAHANT, Mass. - The biomimetic underwater robot, Robolobster, at Northeastern University's Marine Science Center. Biomimetic robots take advantage of capabilities proven in animals for dealing with real-world environments. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1440084146587-WZOVI9IVZLE1VZP23MW4/150606-N-PO203-565.JPG CORPORATE POMONA, Calif. - A robot from the Institute of Human and Machine Cognition (IHMC) located in Pensacola, Florida, makes its way through the simulated disaster course on its way to a second place finish during the Defense Advanced Research Projects Agency (DARPA) Robotics Challenge (DRC). Twenty-four teams and their robots from around the world have 60 minutes to complete eight tasks along a simulated disaster course located at the Fairplex in Pomona, California. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1463077995535-8SZ47IR601PK7IBJRTKX/SAFFiR2.jpg CORPORATE MOBILE, Ala. - John Seminatore, a graduate student at Virginia Tech, secures the Office of Naval Research-sponsored Shipboard Autonomous Firefighting Robot (SAFFiR) during testing aboard the Naval Research Laboratory's ex-USS Shadwell in Mobile, Ala. The bipedal humanoid robot, developed as a test bed for autonomous firefighting and damage control operations, was tethered to a power source for demonstrations aboard the Navy's fire test platform. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480261257962-C4HH1D6T7I3B0Q9TQWCF/30174668351_bcac328dc4_o.jpg CORPORATE SCOTLAND - Lt. Chelsea Ware, Office of Naval Research Reserve Component (ONR-RC) monitors the ONR-sponsored Waterside Rapid Deployment Security System located at the end of a pier at the British Underwater Test & Evaluation Centre during Unmanned Warrior (UW). The first-ever UW is a research and training exercise designed to test and demonstrate the latest in autonomous naval technologies while simultaneously strengthening international interoperability. The U.S. team, led by ONR, is in Scotland to partner with more than 40 international participants from other navies, industry, academia and research laboratories. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1480261261870-V2GBVF26HHE806YU72QN/30241223825_0fbc7231c3_o.jpg CORPORATE SCOTLAND - The Royal Navy leaves Hell Bay IV with a REMUS 100 unmanned underwater vehicle during the first-ever Unmanned Warrior (UW). Hell Bay, a series of sea trials that bring together state of the art developments in mine countermeasures autonomy for unmanned systems from The Technical Cooperation Program (TTCP), is part of UW and involves over 40 different organizations and 50 vehicles undertaking challenging military missions in a demanding environment. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1436997717041-HPZQYLOIA3X1DUHJ5M59/industrial-5.jpg CORPORATE ARLINGTON, Va. - Jim Blesse, standing, from the Office of Naval Research (ONR), explains project BlueShark to Lt. Col. John Moore from the Marine Corps Warfighting Laboratory. Project BlueShark is an ONR effort to create a high-tech, futuristic environment to demonstrate what operational work environments might look like and what emerging innovative technologies might provide in the next decade. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1437075894700-TYMQ0ODGAWMQ8YM8WW9R/commercial-2.jpg CORPORATE ATLANTIC OCEAN - Lt. Andrew Wiese evaluates a catapult capacity selector valve (CSV) calculator provided by the Office of Naval Research during flight operations aboard the aircraft carrier USS Harry S. Truman (CVN 75). The CSV calculator is a personal digital assistant that would replace paper lookup tables and allow flight deck personnel to compute the proper settings for an aircraft carrier steam catapult. The device is being provided through the Tech Solutions program, a rapid-response technology development program that funds government laboratories to produce prototype solutions for problems identified by Sailors and Marines. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1507738432134-1U082A7ZJUIV5RCU730G/161213-N-PO203-186.jpg CORPORATE PACIFIC OCEAN - Sara Goheen, an engineer with Scripps Institution of Oceanography, operates a crane aboard the Auxiliary General Oceanographic Research (AGOR) vessel R/V Sally Ride during the retrieval of scientific equipment as part of a science verification cruise. Operated by Scripps under a charter lease agreement with the Office of Naval Research, Sally Ride has multi-beam bottom-mapping and ocean current profiling sonars, advanced meteorological sensors and satellite data transmission systems, the latest navigation and ship-positioning systems and a specially designed hull that improves sonar acoustic performance. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1447938114042-A96ZV7R4XNJX7SH2BWKC/150616-N-PO203-122.JPG CORPORATE Washington, D.C. - Morgan State physics major Derick Buckles works in the lab during a 10-week internship at the Naval Research Laboratory in Washington, D.C., part of a summer research program administered by the Department of the Navy's Historically Black Colleges and Universities and Minority Institution (HBCU/MI) program. In addition to conducting scientific research, undergraduates attend scientific and skill-set seminars on topics including laboratory safety, ethics in science and engineering, job-search and interviewing skills and resume writing. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1437075898270-9XND59PINFSZWIQNPZXH/commercial-3.jpg CORPORATE CAMP PENDLETON, Calif. - Sgt. Thomas Hopman, a squad leader with 2nd Battalion, 1st Marines, leads a fire team as they train with the Future immersive Training Environment (FITE) Joint Capabilities Technology Demonstration (JCTD) virtual reality system located within the Office of Naval Research's Infantry Immersion Trainer in the San Mateo area of Camp Pendleton, Calif. https://images.squarespace-cdn.com/content/v1/55a3d80ee4b026ec059a4672/1437075896462-06EDBG7GU4UUO0NAP8S6/commercial-4.jpg CORPORATE OCRACOKE, N.C. - Aamir Qaiyumi, foreground, and Mark Connelly, with Naval Sea Systems Command in Panama City, Fla., analyze data from Remote Environmental Monitoring Units (REMUS) aboard the Office of Naval Research (ONR) Afloat Lab, YP-679. The side scan sonar data were collected from an autonomous underwater vehicle (AUV) during the previous day's mission when the National Oceanographic and Atmospheric Administration, with support from ONR, returned to the "Graveyard of the Atlantic" to continue the search for the Alligator, the U.S. Navy's first submarine. 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